By Suzanne
Norquist
When
I think of the Olympics, toned athletes and physical strength come to
mind—sports competitions where results can be objectively measured. However,
for a time in modern Olympic history, medals were also awarded to artists in
the areas of painting, sculpture, music, literature, and architecture.
When
the modern games started in 1896, the founder of the International Olympic
Committee (IOC), Baron Pierre de Coubertin, believed art should be included. It
had been part of the ancient Greek events because exercising the body and
mind created harmony. A well-rounded individual would pursue both activities.
The
baron couldn’t incorporate the creative events until the 1912 games, and only
thirty-five artists participated that year. The artistic competitions didn’t
achieve the goal of harmonizing body and mind since few individuals competed in
both sports and art.
Only
two athletes won medals in both. In 1912, American Walter Winans won a gold
medal for the sculpture of a horse pulling a chariot and a silver medal for
sharpshooting. Hungarian Alfréd Hajós won a silver
medal in town planning design in 1924 after winning two gold medals in 1896 for swimming.
The
artistic community didn’t embrace the competition since it wasn’t their idea. All
of the art had to be sports-related. How many ways were there to sculpt or
paint athletes? And what kind of music qualified?
In
1932, Canadian Tait McKenzie entered four sculptures of shot putters. “Shot
Putter Preparing.” “Shot Putter Resting.” “Shot Putter Ready.” “Shot Putter The
Hop.” He didn’t receive medals for any of these. However, he won a bronze medal
for something called “Shield of the Athletes.”
That
same year, Belgian painter Nelly Degouy submitted paintings entitled “Do
Exercise I” through “Do Exercise VIII.” None of these won awards. Others
entered similar sets of work. Individual paintings were titled things like “Ice
Hockey,” “Golf,” “Rugby,” and “The Ski Jumper.” More curious titles included
“Camping,” “Sun Bath,” and “My Children in the Woods.”
And
how many ways are there to design sports stadiums, swimming pools, or Olympic
villages? A single project could yield multiple entries. For example, in 1928,
the University of Pennsylvania provided fourteen entries for athletic
facilities, including interior and exterior views of different parts of the
complex.
Architectural
designs that had already been built could compete. In 1928, the Olympic Stadium
where games were held that year won the gold medal. Maybe it’s just me, but it
seems like the judges may have been biased.
Judging
for these art events was a bit haphazard. Host cities would establish a jury to
judge the submissions. All three medals (gold, silver, and bronze) were
sometimes awarded. Other times, just one, and it might not even be gold. There
might be a silver but no gold medal if none of the art was considered worthy of
the higher award.
In
the early days, music was judged in written form rather than performed. How did
one show that a musical composition was sports-related anyway? Many entries
included some form of the word Olympic in the name. There were Olympic-related
marches, hymns, and chants. This was the category where the fewest medals were
awarded because of the difficulty of judging.
Unlike
other forms of art, literature is language-based. Works could be submitted in
the original language, but a translation or summary in English or French was
also needed. How can a story or poem be judged based on a translation or
summary? There was a limit of 20,000 words, so the longest pieces were novella
length.
In
1912, a German piece titled “Ode to Sport” won a gold medal. It was the only
literature award that year. In 1920, medals were given for “Olympic Songs,” “Olympic
Games of Antwerp,” and “The Praise of the Gods.”
The
art competitions ended after the 1948 games. Olympics are supposed to be
amateur competitions, but artists used them as a form of advertisement to sell
their wares. Pieces would be sold after the competition.
The
official Olympic medal count no longer includes the medals for these
competitions. Many artists were older than the athletes, skewing the average
age. And some countries won more art awards.
Art
exhibitions are still part of the official Olympic experience. However, they
are no longer competitive events.
Had
the art events continued, I could have entered a novel. I would just have to
write one with a sports theme.
***
”Mending
Sarah’s Heart” in the Thimbles and Threads Collection
Four
historical romances celebrating the arts of sewing and quilting.
Mending
Sarah’s Heart by Suzanne Norquist
Rockledge,
Colorado, 1884
Sarah
seeks a quiet life as a seamstress. She doesn’t need anyone, especially her
dead husband’s partner. If only the Emporium of Fashion would stop stealing her
customers, and the local hoodlums would leave her sons alone. When she rejects
her husband’s share of the mine, his partner Jack seeks to serve her through
other means. But will his efforts only push her further away?
Suzanne
Norquist is the
author of two novellas, “A Song for Rose” in A Bouquet of Brides Collection and “Mending Sarah’s Heart” in the Thimbles and Threads Collection. Everything fascinates her. She has
worked as a chemist, professor, financial analyst, and even earned a doctorate
in economics. Research feeds her curiosity, and she shares the adventure with
her readers. She lives in New Mexico with her mining engineer husband and has
two grown children. When not writing, she explores the mountains, hikes, and
attends kickboxing class.
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