Showing posts with label Judy Garland. Show all posts
Showing posts with label Judy Garland. Show all posts

Tuesday, August 25, 2026

The Women of the US Postage Stamps—Part 7

 

By Jennifer Uhlarik

 

Hello, dear Readers! I am back with the next installment of all the various amazing women who have been featured on America postage stamps through the years. Today, we’ll start with Julia Ward Howe. Do you know why she is famous? Let’s explore and find out.




Julia was born in New York City in 1819, the fourth of seven children. Her father, a successful banker, afforded the family a very comfortable life. Julia was educated by private tutors and all-girls schools until the age of sixteen. At age 24, she married a physician and reformer, Samuel Gridley Howe. Theirs was a rocky marriage, though it produced six children. During her marriage, Julia wrote many poems, plays, and essays, and she borrowed themes from her difficult marriage, as well as wrote on the roles of women in society and the home. Her views angered her husband, and at times, inflamed others, too. One particular travel narrative titled “A Trip to Cuba” (published in 1860) brought her much heat because of her views on Blacks. While she agreed that slavery was wrong, her particular view was not one of equality for all races. The following year, after visiting Washington D.C. with her husband, Julia was inspired to write the “Battle Hymn of the Republic” after meeting Abraham Lincoln in the White House. She also went on to write new lyrics for “John Brown’s Body,” and the result became one of the most popular songs of the Union during the Civil War. After her husband’s death in 1876, Julia went on to work for women’s suffrage among other things.




Our next honoree is Mary Lyon, who was born in Buckland, Massachusetts, in 1797. Her farmer father died when Mary was just five years old, so she and her siblings helped with farm work from young ages. When Mary was thirteen, her mother remarried and moved away, leaving Mary in Buckland with her older brother, where she keep house for him. During this time, she attended local schools, and at the age of seventeen, began a teaching career herself. She eventually attended two different women’s seminaries, one where she met Zilpah Polly Grant, who became a mentor to Mary. Following Grant’s lead, Mary went on to help Laban Wheaton and his daughter, Eliza, found Wheaton Female Seminary (now known as Wheaton College), which opened in 1835. However, her time with the Wheatons was short-lived, as Mary left to found her own women’s seminary, Mount Holyoke Female Seminary, with the intent of making a place for women of all socioeconomic levels. Her school opened in 1837 with a tuition costing just one third of other similar schools. The school still exists today, now known as Mount Holyoke College. During her tenure there, Mary Lyon implemented many unique programs, such as a work/study format that helped keep the tuition costs low, daily exercise for the ladies who attended, and a course of study just as rigorous as schools for their male counterparts, including many classes in Christian faith, mathematics, and the sciences.




Our third woman of the postage stamps for today is Evelyn Nesbit. Have you heard of her? I had not, though she led a fascinating and often controversial life and is known as the world’s first supermodel. Born in Pennsylvania on Christmas day, 1884, Evelyn was the daughter of an attorney and a homemaker. Her father encouraged her bold and precocious nature, helping her to study music and other interests, as well as providing her a library full of fairy tales and adventure books (often more geared toward boys). Evelyn’s father passed away when she was ten, leaving the family destitute, and for a span of several years, they struggled. Eventually, a female artist noticed Evelyn’s beauty and asked for her to model for a painting. The young woman soon began modeling for other artists, and when the family moved from Pennsylvania to New York, those artists provided letters of introduction to the New York art community. Evelyn became one of the most in-demand artists’ models of her day, which eventually led to work on Broadway. She was pursued by famous actors and elites, such as John Barrymore and Stanford White, a prominent New York architect who Evelyn said stole her virginity in a case of date rape. After she later married Harry Kendall Thaw, the son of a railroad baron, Thaw became obsessed with White and murdered him in public at the theater. The murder case was called the “trial of the century,” and ended with Thaw being found not guilty due to an insanity defense (he had been known to have mental instability issues since childhood). Evelyn divorced him, married her dance partner, and went on to a career in vaudeville, burlesque, and silent movies, but it was the earlier murder trial that most defined her life.




The final lady we’ll focus on today debuted in her singing career at age two under her birth name, Frances Ethel Gumm. Frances and her two older sisters first performed together at their father’s movie theater, singing the chorus of “Jingle Bells,” and continued to entertain there for several years. After a move to California, the trio became involved in the Vaudeville circuit as “The Gumm Sisters.” However, after the audience laughed one night while they were introduced, it was suggested they pick a different name. They chose the last name Garland—and Frances changed her given name to Judy. The Garland Sisters were born. They toured together until 1935 when the eldest sister left the group to marry a musician in Reno, Nevada. It was then that Judy got her start with MGM Studios. She was given a contract, and eventually found success once she was paired with Mickey Rooney in several films. Judy stated that MGM prescribed amphetamines to help her keep up with the hectic pace of filming and barbiturates to help her sleep at night—a claim that Rooney, as a fellow young actor for the same studio, denied. No matter how the habit began, it remained a problem throughout her lifetime. In 1938, she was cast in her most iconic role, Dorothy in The Wizard of Oz. Through many ups and downs, she gave birth to three children—Liza Minelli, Lorna Luft, and Joey Luft, had a long career in movies and television, and as a singer. But she lived a life plagued by self-doubts and addictions and died by accidental overdose at the age of forty-seven. She was featured on stamps twice--in 1989 and 2006.

 

It's Your Turn: Which of these women do you find the most interesting, and why?

 

 

Jennifer Uhlarik discovered western novels at twelve when she swiped the only “horse” book from her brother’s bookshelf. Across the next decade, she devoured westerns and fell in love with the genre. While attaining a B.A. in writing from the University of Tampa, she began penning her own story of the Old West. She has finaled in and won numerous writing competitions and appeared on various best-seller lists. Besides writing, she’s been a business owner, a schoolteacher, a marketing director, a historical researcher, a publisher, and a full-time homemaker. She lives near Tampa, Florida, with her husband and fur children.

 


Available Now: Love and Order: A Three-Part Old West Romantic Mystery



Wanted: 

Family, Love, and Justice


One Old West Mystery Solved Throughout Three Short Romantic Stories


Separated as children when they were adopted out to different families from an orphan train, the Braddock siblings have each grown up and taken on various jobs within law enforcement and criminal justice.

 

Youngest child, Callie, has pushed past her insecurities to pursue a career as a Pinkerton agent. Middle child, Andi, has spent years studying law under her adoptive father’s tutelage. And the eldest and only son, Rion, is a rough-and-tumble bounty hunter. 

 

When the hunt for a serial killer with a long history of murders reunites the brother and sisters in Cambria Springs, Colorado, they find themselves not only in a fight for justice, but also a fight to keep their newly reunited family intact. How will they navigate these challenges when further complicated by unexpected romances?

 


 

 

 

 

 

Sunday, October 12, 2025

The Dark Side of the Hollywood Star System


A statue of two faces

AI-generated content may be incorrect.
Two face statue Mazatlán, Mexico

By Kathy Kovach

At the turn of the twentieth century, the silent film industry was exciting and new. There was no big name recognition because producers didn’t want their actors to demand higher salaries. To them, the technology of developing moving pictures trumped the actors themselves. Some of those performers had gotten their start on the New York stage and considered movies a step down, therefore they had no problem hiding their identities.

In fact, it wasn’t until this newfangled entertainment was a couple of decades old when actors’ names were included in ending credits. Audiences were picking out their favorites, purposely visiting their local nickelodeon to see the cowboy, or the swashbuckler, or the sweet, yet tragic, lass in rags. They demanded to know their names and learn about their private lives.

Florence Lawrence

Recognizing the public’s need, producer and co-founder of Universal Pictures, Carl Laemmle used unconventional marketing methods to promote his stars. One such example was concerning the actress considered to be the first movie star. Florence Lawrence was known to fans only as the Biograph Girl before her name became known. Biograph was a film production company operating from 1895-1916. Laemmle spread a rumor that Lawrence was killed in a streetcar accident, leaving her adoring public devastated in their grief. He then revealed the story wasn’t true, and that she was alive and well . . . and starring in his next movie. I’m sure they flocked to the theater, relieved to see their darling living and breathing.

The Hollywood Star System, also known as the Star Machine, was borne of such manipulative tactics. The goal was to groom, exploit, and market their product, which unfortunately, was of the human variety.

The following video depicts the Hollywood Star System perfectly.
From the 1920’s to the 1960’s, the System churned out thousands of movie stars. It created fictional characters out of flesh and blood. What the public saw were happy, shiny actors and actresses with their perfect hair, straight teeth, and glamorized lifestyles. And the fans lapped it up, like a thirsty MGM lion in the Serengeti.

While a fraction of performers thrived in the artificial spotlight, others wilted behind the scenes, becoming substance abusers in order to cope. Some lived debauched lifestyles in rebellion of the system. A tragic few succumbed and took their own lives.
A person with red lipstick and a person with a person in a tie

AI-generated content may be incorrect.
Judy Garland and Mickey Rooney

One such tragedy involved Frances Gumm, known to us as Judy Garland. Her story is well-known now, vividly portrayed in the 2019 biopic, Judy, starring Renee Zellwegger. When Garland was the fresh-faced teenager, hoofing and warbling with Mickey Rooney in the ‘30s, and later becoming MGM’s greatest asset in movie musicals, the System kept her busy lifestyle afloat by pumping her with amphetamines to combat her tiredness. Her weight fluctuated, so more pills were given to keep her the perfect size. She was starved during the filming of The Wizard of Oz, reportedly forced to eat nothing but cottage cheese and chicken soup to keep her size acceptable.

Garland married band leader David Rose and became pregnant, however, the System, along with her mother and husband, urged her to get an abortion because they wanted to maintain her innocent image. Judy Garland’s life ended in tragedy on June 22, 1969, as her depression lead her to an accidental overdose of barbiturates.

Admittedly, the Star System wasn’t the only factor in Garland’s eventual demise. Her personal struggles surrounding a failed marriage and other factors also came into play. But one wonders, if she’d had better support from her employers, if she would’ve had a better life.


A person and person sitting on a bench

AI-generated content may be incorrect.
It Happened One Night, 1934, Clark Gable and Claudette Colbert

Let’s talk about the King. No, not the King of Rock and Roll, Elvis Presley, although he also fell victim to a star system created by his handler, Colonel Tom Parker. I’m referring to the man, the myth, the legend, the King of Hollywood, Clark Gable.

Gable began as a struggling stage actor. Once discovered for film, his image was carefully sculpted to that of a romantic leading man. Not your typical leading man, however. His character was known for his savage treatment of women. His persona on screen could go from insult to an embrace in a heartbeat.

Nothing but a commodity, Gable churned out movies for MGM, never being allowed to play anything more than what his image called for. He rebelled for being typecast and was sent on loan to Columbia Pictures as a punishment. That feature was It Happened One Night with his co-star, Claudette Colbert, a move that proved lucrative as it garnered him a Best Actor Oscar.

The Hollywood Star System had become an entity not to be messed with, going as far as suspending an actor without pay if they violated the numerous rules. It controlled every aspect of an actor’s life. From doing their laundry to setting them up in the perfect, and no doubt, photogenic, mansion on Mulholland Drive. It told them what to wear in public in order to maintain their image. It told them who they could date, who they could marry, or more specifically, who they couldn’t marry. No dedicated, starry-eyed fan wanted to see the romantic lead wedded to someone else.
A person wearing a top hat and binoculars

AI-generated content may be incorrect.

And it spied on them. It wasn’t unusual for a studio head to enlist someone low on the food chain—a housekeeper, a chauffeur, a personal chef—to spy on the stars and report back their activities. Once again, Judy Garland fell victim of such practices, devastated when she learned that her trusted assistant, Betty Asher, had informed on every aspect of her life.

The system even went as far as altering appearances. As I mentioned in a previous article, The Manufacturing of a Hollywood Star, Rita Hayworth went from a dark-haired, Latin beauty to an Irish redhead using electrolysis to raise her hairline by an inch. Plastic surgery was common, as well. One horrifying technique was to fill the nasal cavity with molten hot wax and literally reshape the nose. Rhinoplasty was also common, and several actors underwent the nose-altering surgery, including Dean Martin and Marilyn Monroe.
A person with a mustache

AI-generated content may be incorrect.
United Artists founders

Charlie Chaplin, Douglas Fairbanks, Mary Pickford, and director D.W. Griffith rebelled against the System and created their own studio, United Artists. This assured more control given to the stars.

Although the Hollywood Star System seemed horrifying in many ways, one must keep in mind, it had been set up as a thriving business. Everything produced by the major studios had to be perfectly maintained and, yes, controlled. Of course, much of the overbearing practices could have used more empathy, but many of the positives must be recognized for shaping the industry into what it is today.

And I, for one, am grateful for the opportunity to watch my favorite film stars on the silver screen. Do you have a favorite star or movie from the Golden Age of Hollywood?


A TIME-SLIP NOVEL

A secret. A key. Much was buried on the Titanic, but now it's time for resurrection.


Follow two intertwining stories a century apart. 1912 - Matriarch Olive Stanford protects a secret after boarding the Titanic that must go to her grave. 2012 - Portland real estate agent Ember Keaton-Jones receives the key that will unlock the mystery of her past... and her distrusting heart.
To buy: Amazon


Kathleen E. Kovach is a Christian romance author published traditionally through Barbour Publishing, Inc. as well as indie. Kathleen and her husband, Jim, raised two sons while living the nomadic lifestyle for over twenty years in the Air Force. Now planted in northeast Colorado, she's a grandmother and a great-grandmother—though much too young for either. Kathleen has been a longstanding member of American Christian Fiction Writers. An award-winning author, she presents spiritual truths with a giggle, proving herself as one of God's peculiar people.



Wednesday, October 23, 2024

HAVE YOURSELF A MERRY LITTLE CHRISTMAS By Mary Davis

 

By Mary Davis

 

"'Have Yourself a Merry Little Christmas' manages to be happy and sad at the same time, hopeful but full of melancholy, as all the best Christmas songs are.”—Bette Midler

 

I know, it’s a bit early for Christmas, but I start listening to Christmas songs in October. It’s such uplifting music, why relegate it to a single month?

 

“Have Yourself A Merry Little Christmas” was written in 1943 by Hugh Martin and Ralph Blane as part of the movie score for Meet Me In St. Louis. The movie, which doesn’t have a Christmas theme, released in 1944. Esther, played by Judy Garland, sang this to her little sister on Christmas Eve to cheer her up about moving to New York. Her five-year-old sister was afraid Santa wouldn’t be able to find her. Garland’s character was equally sad at being separated from her love.

 

The lyrics went through various changes over the years. The first was because of Judy Garland’s refusal to sing the song. When she read the lyrics, she found one of the lines horrifying as written. She felt the little sister would think her a monster and threatened to walk off the set.

 

The line she took issue with said this could be the last merry Christmas. Because this was in the middle of WW2, Garland felt it would depress people who were hoping for their loved ones to return safely from war. She was a big USO performer, and the troops always shouted requests for Over the Rainbow because it brought hope. Rather than Oz, it was about home to them.

 

Though Martin initially refused to change the line, he eventually did to a more neutral line about a light heart and no more troubles. Satisfied with the change, Garland sang the new version in the movie.

  

Judy Garland movie version

https://www.youtube.com/watch?v=CreWsnhQwzY

 

“On the night Judy first sang the song to troops at the Hollywood Canteen, many battle-tested soldiers cried. When weary soldiers in Europe and the Pacific heard the song over their unit’s radio, they clung to its lyrics as if the words defined their dreams. It was as if Judy were singing directly to them, bringing hope wrapped in a package that was both significant and beautiful.”—Ace Collins, Stories Behind the Greatest Hits of Christmas

 

In 1957, Frank Sinatra asked for another rewrite. (Ironically, he had already recorded the movie’s version in 1948.) His yet to be released album was titled A Jolly Christmas. He wanted a more positive slant to the song so asked for the line about muddling through to be more upbeat. “Do you think you could jolly up that line for me?” It became the line about a star being hung on a high bough. Martin also changed from future tense to present tense to focus on current good times rather than only hoping for a brighter future.


Sinatra 1957 version

https://www.youtube.com/watch?v=-tJtsKngXJU

 

To see the original lyrics as well as the Garland and Sinatra versions, go HERE. (https://ew.com/article/2007/01/08/history-popular-holiday-song/) I have not included them in this article due to copyrights.

 

In 2001, Hugh Martin and John Fricke wrote all new lyrics with a religious theme, Have Yourself a Blessed Little Christmas. In a 2002 interview, Michael O’Brien, lead singer of NewSong, said he had met Martin in 1990. Martin had told him that the “fates” allowing line had originally been about the “Lord” allowing but was changed so the song was more secular.

 

I never knew this song had so many lyrics changed over the years. Did you? Which version do you prefer?

 

 

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MARY DAVIS, bestselling, award-winning novelist, has over thirty titles in both historical and contemporary themes. Her latest release is THE LADY’S MISSION. Her other novels include THE DÉBUTANTE'S SECRET (Quilting Circle Book 4) THE DAMSEL’S INTENT (The Quilting Circle Book 3) is a SELAH Award Winner. Some of her other recent titles include; THE WIDOW'S PLIGHT, THE DAUGHTER'S PREDICAMENT, “Zola’s Cross-Country Adventure” in The MISSAdventure Brides Collection, Prodigal Daughters Amish series, "Holly and Ivy" in A Bouquet of Brides Collection, and "Bygones" in Thimbles and Threads. She is a member of ACFW and active in critique groups.

Mary lives in the Pacific Northwest with her husband of thirty-seven years and one cat. She has three adult children and three incredibly adorable grandchildren. Find her online at:
Books2Read Newsletter Blog FB FB Readers Group Amazon GoodReads BookBub

 

Sources

Stories Behind The Greatest Hits Of Christmas, by Ace Collins

https://en.wikipedia.org/wiki/Have_Yourself_a_Merry_Little_Christmas

https://ew.com/article/2007/01/08/history-popular-holiday-song/

https://www.youtube.com/watch?v=CreWsnhQwzY

https://www.youtube.com/watch?v=-tJtsKngXJU