Showing posts with label Sitting Bull. Show all posts
Showing posts with label Sitting Bull. Show all posts

Saturday, August 26, 2023

Hero or Foe?

 

By Cindy Regnier

 Most of us learned in our history classes about a controversial battle at Little Bighorn in Montana territory. Here, General George Armstrong Custer led his men of the 7th US Calvary regiment to a sound defeat by Chief Sitting Bull and the Sioux Indians, alongside Chief Crazy Horse and the Cheyenne, now known as Custer’s Last Stand. What led up to this battle and why is it so controversial?

Custer was born in Ohio in 1839. He spent part of his youth there and part in his sister’s home in Michigan. He taught school for a short while in Ohio before he attended the U.S. Military Academy, now known as West Point. He graduated from West Point in 1861 ranked dead last in his class. Maybe that should have been a warning sign.

Nonetheless, he entered the army as a second lieutenant just in time to fight in the Civil War. Partly because of his performance at the Battle of Bull Run, he was noticed by Major General George B, McClellan who was the commander of the Union Army of the Potomac. He made Custer part of his staff, which Custer used to his advantage by befriending several senior commanders. At the young age of 23 he became a brigadier general commanding the Michigan Calvary brigade. He was nicknamed the “Boy General” and continued to earn honors and respect for his battle successes, particularly at the Battle of Gettysburg. He quickly rose to division command and was appointed major general before his 25th birthday. His determined pursuit of the North Virginia Army is said to have been the turning point in Lee’s decision to surrender at Appomattox.


With the close of the Civil War it would seem that Custer’s military career would come to a halt, but instead the opposite happened. Custer became the commander of the newly formed 7th U.S. Cavalry Regiment. Custer reported to western Kansas under Major General Winfield Hancock to fight the Plains Indians. Unfortunately, Custer did not adapt well to Indian warfare and began to act somewhat erratically. It is said that he gave an order to have all deserters shot without trial, then when he was sent to Fort Wallace for supplies, he abandoned his own regiment and went to Fort Riley to see his wife. Custer was court-martialed at Fort Leavenworth and found guilty of misconduct and suspended from his rank.

At this low point in his career, Custer and his wife Elizabeth (known as Libbie) worked together to reestablish his image. They took on roles of the cavalier and his lady, taking advantage of Custer’s theatrical talents. They took great pains with his appearance, perfuming his long blond hair and adorning his uniforms with eye-catching accessories such as a brocade velveteen jacket or a bright red tie. He became known for his large broad-brimmed hat which originally began as protection of his fair skin from sunburn, but became his trademark. 

Their efforts must have paid off for Custer’s superiors decided to give him a second chance. He was returned to duty before his court-martial ended and rejoined the 7th Calvary. His command was able to destroy Chief Black Kettle’s Village where Custer’s reputation as a top Indian fighter was established. 

Then, in 1874 he led an expedition to investigate possible gold deposits in the Black Hills of the Dakota Territory which was also the sacred hunting ground of the Sioux. Custer erroneously reported finding gold and many fortune hunters invaded the territory. This caused the U.S. government to direct the Sioux and their Northern Cheyenne allies to move onto reservations by January 31, 1876, or be deemed “hostile.”

As the story goes, many of the Indian bands, in their remote and scattered winter camps, likely did not receive these orders and could not have reached the government agencies if they had. Because of the threats then directed at them, these non-reservation bands came together under the leadership Sioux leader Sitting Bull to wage war. They eventually made camp on the Little Bighorn River

On June 22, 1876, Custer and the 7th Cavalry prepared for battle against Sitting Bull in the Little Bighorn Valley. By the morning of June 25, Custer’s scouts located Sitting Bull’s village, and Custer’s plan was to position his 7th Cavalry close enough to attack at dawn the following day. But he was spotted by the Indians prior to the attack so Custer decided not to delay and attack immediately.

At noon on June 25, Custer divided his regiment into three battalions. The first was sent to charge the village head on, the second to the south to intercept any Indians fleeing in that direction, and the third under his personal command to strike the village from the north. This turned out to be disastrous since the fragmented regiment was now too far apart to support each other. In the battle, which came to be known as the Battle of the Little Bighorn, the Sioux and Cheyenne did not try to flee as Custer expected, but stood their ground, determined to either live or die in freedom. Earlier army intelligence caused Custer to believe Sitting Bull commanded about 800 warriors, but he actually faced some 2,000 Sioux and Cheyenne, many with repeating rifles superior to Custer’s weapons. In a battle that may have lasted nearly two hours, the Indians cut off the 210 soldiers who had followed Custer toward the north and killed them all. Not one cavalry soldier survived. Two days later a scouting party discovered Custer’s un-scalped body lying in the middle a ring of dead cavalry horses. Custer bore two bullet wounds, either of which could have killed him. The victorious Sioux and Cheyenne captured 80 to 90 live horses from Custer’s battalion, leaving one badly wounded horse named Comanche, who managed to survive. For many years afterward, Comanche appeared in 7th Cavalry parades, saddled but riderless.

Despite the infamy of the battle, Custer was given a hero’s burial at West Point. Owing to his status as a Civil War hero, his death shocked the American people. Books and articles presented him as a role model to the country’s youth and statues were erected in his honor. 

Left nearly destitute in the aftermath of her husband's death, Libbie Custer became an outspoken advocate for his legacy through her books and lectures. 

Mrs. Custer never remarried, but dedicated her life to preserving the fame and glory of her husband.

However, Custer’s return to glory was short-lived in the eyes of many Americans as the government’s harsh treatment of Native Americans came to light and “hero” turned into “ruthless Indian killer”. Today, Custer and his final battle remain in controversy.

 What do you think? Was Custer a hero or a villain? Maybe a little of both? I’d love to see your comments.

Scribbling in notebooks has been a habit of Cindy Regnier since she was old enough to hold a pencil. Born and raised in Kansas, she writes stories of historical Kansas, especially the Flint Hills area. Her experiences with the Flint Hills setting, her natural love for history, farming and animals, along with her interest in genealogical research give her the background and passion to write heart-fluttering historical romance.


Saturday, October 6, 2018

Sitting Bull and Caroline Weldon: Facts vs Fiction

 By Michelle Shocklee

Hubby and I enjoy watching a good movie with an Old West setting. Some of our favorites are Dances With Wolves and Tombstone. So when we heard about A Woman Walks Ahead, the story of Chief Sitting Bull and Caroline Weldon, we snagged a copy from our local Redbox, popped some popcorn, and settled in for a date/movie night.

From the movie A Woman Walks Ahead
I must admit I thoroughly enjoyed the movie. I admired Mrs. Weldon's courage to travel to the Dakota Territory alone, intent on painting a portrait of the great Lakota chief Sitting Bull. My heart ached for Sitting Bull and his people as they struggled to preserve their way of life in the face of white settlement and laws created by white men who lived far, far away from Lakota land. Being the romantic that I am, I kinda wanted Sitting Bull and Caroline to fall in love and live happily ever after, but the realities Native American tribes faced in the mid and late 1800s were not the stuff of fairy tales.

A few days after watching the movie, it was still on my mind. I Googled Caroline Weldon to learn more, and boy, oh boy, was I in for a surprise! The real Mrs. Weldon's life was a bit more colorful than the sweet widow portrayed in the movie. There were also some things about Sitting Bull that differed from history. With that in mind, I thought I'd share some facts vs fiction and other interesting tidbits here on the blog.

FACT: Caroline Weldon was the pen name of Susanna Carolina Faesch, born in Switzerland in 1844. She and her mother moved to Brooklyn, New York in 1852.

FICTION: In the movie, Caroline is a childless widow.

FACT: Caroline married a Swiss doctor in 1866. The couple had no children. However, in 1876 she left her husband and had a relationship with a married man. She became pregnant with her only child, a son. The man soon returned to his wife, and Caroline's husband filed for divorce, which was granted in 1883. The terms prohibited her from ever marrying again.

Weldon's mother died in 1887, leaving Caroline an inheritance that allowed her to pursue her independence. She'd long been interested in Native American rights and at some point joined the National Indian Defense Association. She began writing to Sitting Bull after the Dawes Act was passed, legislation that allowed the government to break up tribal lands and redistribute them to individuals as well as eventually sell them to white settlers.

In 1889, Caroline, living as an outcast of society, packed up her son and headed for the Dakota Territory. She arrived at Standing Rock Reservation unannounced and uninvited.


Sitting Bull's camp on the Standing Rock Reservation
FICTION: In the movie, Caroline's main intention is to paint a portrait of Sitting Bull.

FACT: Although Weldon did paint four portraits of the great chief, acting as his secretary, interpreter, and representative seemed to be her goal. Local newspapers called her Sitting Bull's "white squaw" but there doesn't appear to be any evidence that a romantic relationship took place between them. She lived with him and his family, which included several wives and children.

Portrait of Sitting Bull painted by Caroline Weldon

FICTION: In the movie, Sitting Bull is wary of the Ghost Dance, a religious dance sweeping through Native American communities.

Participants of the Ghost Dance believed the dance would make white settlers leave their lands and would also bring back dead warriors to help aid them in their fight. White lawmakers feared it would lead to an uprising.

FACT: Although Sitting Bull wasn't seen dancing, he did allow the dancers to gather at his camp. This was viewed as an act of aggression by Indian Agent James McLaughlin, who called for Sitting Bull's arrest.

(SPOILER ALERT if you plan to watch the movie.)

FICTION: Caroline Weldon is near the camp when Sitting Bull is killed.

FACT: Caroline had warned Sitting Bull not to allow the Ghost Dancers to come to his camp, but he ignored her. This caused a rift in their friendship, and she left the reservation. It was a year later that Sitting Bull was gunned down by agency policemen during a failed attempt to arrest him.

As an author of historical fiction, I wish A Woman Walks Ahead would have followed history a bit more closely, but as I said, I did enjoy the movie. It's fascinating history and gorgeous scenery were definitely worth my time.

Now it's your turn. Do you like movies about historical events? What's your favorite?




Michelle Shocklee is the award-winning author of The Planter's Daughter and The Widow of Rose Hill. Her historical novella set in the New Mexico Territory is included in The Mail-Order Brides Collection. Michelle and her husband of 31 years make their home in Tennessee. Connect with her at www.MichelleShocklee.com.






THE WIDOW OF ROSE HILL

Widowed during the war, Natalie Ellis finds herself solely responsible for Rose Hill plantation. When Union troops arrive with a proclamation freeing the slaves, all seems lost. How can she run the plantation without slaves? In order to save her son’s inheritance she strikes a deal with the arrogant, albeit handsome, Colonel Maish. In exchange for use of her family’s property, the army will provide workers to bring in her cotton crop. But as her admiration for the colonel grows, a shocking secret is uncovered. Can she trust him with her heart and her young, fatherless son?

Wednesday, May 9, 2018

Buffalo Bill Vaudeville

By Tiffany Amber Stockton



Last month, I shared about the anniversary of the opening of the first public library in the United States. If you missed that post, you can read it here: http://www.hhhistory.com/2018/04/first-public-library-in-united-states.html.

Returning back to a more western setting...I've always loved cowboys, horses, and the "wild west." I've also always loved the idea of the state fairs, and I featured a snippet of both in my story for the Blue Ribbon Brides collection, Front Paige Love, only that one featured Doc Carver and his traveling stunt show with diving horses, which had its height during the late 1920's and Depression-era in the US.

* * * * *

From Real Life to Vaudeville Performance!

The year is 1883, and the month is May. Just 125 years ago. The inspiration began a few years earlier, though. William F. Cody was a real-life buffalo hunter, U.S. Army scout, and guide. In 1869, author Ned Buntline wrote a "dime novel" about Cody called Buffalo Bill, the King of Border Men, after the two met on a train from California to Nebraska. In December 1872, Buntline’s novel turned into a theatrical production and launched Cody's career in live performances.

Poster showing Buffalo Bill's Wild West and Congress
of Rough Riders of the World
, c. 1898.
After traveling and performing with notable names like Wild Bill Hickok and Texas Jack in the Buffalo Bill Connection, Cody opened "Buffalo Bill’s Wild West Show" on May 19, 1883 at Omaha, Nebraska. His partner that first season was a dentist and exhibition shooter, Dr. W.F. Carver. Cody and Carver took the show, subtitled “Rocky Mountain and Prairie Exhibition,” across the country to popular acclaim and favorable reviews, launching a genre of outdoor entertainment that thrived for three decades.

The birth of the Wild West as a successful genre was mostly a product of personality, dramatic acumen, and good timing. The golden age of outdoor shows began in the 1880s, and with his theatre experience, Buffalo Bill was already skilled in the use of the press and publicity. His fame and credibility as a westerner lent star appeal and a certain level of authenticity. Cody definitely gave the show a dramatic narrative structure. But it was the show's publicist, John Burke, who utilized innovating techniques at the time, such as celebrity endorsements, press kits, publicity stunts, op-ed articles, billboards, and product licensing, that contributed to the success and popularity of the show.

Features such as the Pony Express, the wagon train, or the attack on the stagecoach recreated specific and well-known events. Spectacles such as “cowboy fun” or the showcasing of American Indian life usually served as a prelude to a dramatic event, such as a battle scene. Skill acts such as sharp shooting (with pistol and rifle), wing shooting (with shotgun), roping, and riding not only showcased star performers, the show’s narration linked those skills to survival in the frontier West.

Sitting Bull and Buffalo Bill (1885)
An orator boomed the script to the audience from an elevated platform in the arena. The circus band backed the action taking place in the arena with appropriate mood-setting music. The same skits and music later were easily adapted to film and television "Westerns." I'm sure I'm not the only one who has viewed some of those earlier westerns and considered them grossly exaggerated or quite "campy" in their presentations. (grins)

Some famous names came out of performing in Buffalo Bill's shows, or other similar ones at the time. Names like Will Rogers, Bill Picket, Buck Taylor, Annie Oakley, Calamity Jane, Texas Rose, Chief Sitting Bull, Red Cloud, and Geronimo.

The logistics of the show were formidable. Buffalo Bill’s Wild West carried as many as five hundred cast and staff members, including twenty-five cowboys, a dozen cowgirls, and one hundred Indian men, women, and children. They all were fed three hot meals a day, cooked on twenty-foot-long ranges. The show generated its own electricity and staffed its own fire department. Performers lived in wall tents during long stands or slept in railroad sleeping cars when the show moved daily. Expenses were as high as $4,000 per day. That's equivalent to over $100,000 today!!
Circus great James A. Bailey, of Barnum & Bailey, joined Cody and Salsbury in 1895 and revolutionized their travel arrangements. The show was loaded onto two trains totaling fifty or more cars. Strings of flat cars could be linked together with ramps for loading wagons from the back forward. Besides performers and staff, the trains transported hundreds of show and draft horses and as many as thirty buffalo. The show carried grandstand seating for twenty thousand spectators along with the acres of canvas necessary to cover them. The arena itself remained open to the elements. Advance staff traveled ahead of the show to procure licenses and arrange for the ten to fifteen acres required for the show lot, preferably close to the railroad; to buy the tons of flour, meat, coffee, and other necessities; and to publicize and advertise.

In 1899, Buffalo Bill’s Wild West covered over 11,000 miles in 200 days giving 341 performances in 132 cities and towns across the United States. Most places featured a parade and two 2-hour performances. Then the whole show would be struck, loaded, and moved overnight to the next town. I remember being impressed by traveling carnivals as a little girl, admiring how quickly they would arrive in town, set up, entertain, then tear down and be gone! Buffalo Bill's show even makes these carnivals pale in comparison.

By far, the most lasting legacy of the Wild West shows is the depiction of romance and conquest, based on real people and events created and disseminated across boundaries of race, class, and geography. Western shows generated interest for Western entertainment. This is still evidenced in western films, modern rodeos, and circuses, still employing the same events and skills as cowboys did in Wild West shows. I don't know about you, but give me a good book or movie set in the "wild west," and I'm entertained for hours!

* * * * *

NOW IT'S YOUR TURN:

* Have you ever been to a rodeo? Ever participated in one?

* If you lived during the time Buffalo Bill's shows were touring, what part would you want to see the most? Why?

* If you were to be *part* of a wild west show, what role would you love to fulfill?

* What did you like most about today's post?



BIO

Tiffany Amber Stockton has been crafting and embellishing stories since childhood, when she was accused of having a very active imagination and cited with talking entirely too much. Today, she has honed those childhood skills to become an author and speaker who works in the health & wellness and personal development industry, helping others become their best from the inside out. She is also an educational consultant with Usborne Books.

She lives with her husband and fellow author, Stuart Vaughn Stockton, along with their two children and Nova, their Shiba Inu mix, in Colorado. She has sold twenty (21) books so far and is represented by Tamela Hancock Murray of the Steve Laube Agency. You can find her on FacebookTwitterGoodReads, and LinkedIn.