Showing posts with label Western artist. Show all posts
Showing posts with label Western artist. Show all posts

Saturday, December 9, 2017

Sketches in Calico - part 2

By Tiffany Amber Stockton



Last month, I shared the first two scenes of a new book I'm writing. If you missed that post, you can read it here: http://www.hhhistory.com/2017/11/sketches-in-calico-wyoming-paintbrush.html.

This month, due to popular demand, and because I just came off finishing 56,752 words for NaNoWriMo, I'm going to share another excerpt from that novel I'm researching. It's part of a 3-book series entitled "Wyoming Paintbrush."

Enjoy!

* * * * *

Sketches in Calico

Chapter One, Part Two


“Tickets! Tickets, please.”

The conductor’s voice grew louder as he approached. His firm knock on each door of the private compartments preceded brief mumbled conversation before he resumed his call in the general corridor.

Katherine awoke from her slumber, then reached into her cloak pocket and pinched the folded letter inside the envelope for the thousandth time. As if touching it would make this journey any more real. Still, it helped to have something tangible to remind her she had a purpose in traveling all the way across the country. Her family might not feel the same way. In fact, she was sure they wouldn’t. And they were no doubt shocked to discover her letter the morning after she slipped away during the night. But she didn’t have a choice. Life in Philadelphia had been crushing her dreams. If she had any chance of making it as an artist and pursuing her passion, she had to get away.

So she did.

Now, more than halfway to her destination, the first pangs of conscience and uneasiness struck. Katherine had been so caught up in what she’d discover once she arrived in Twin Creeks, Wyoming, she hadn’t allowed any thoughts to deter her from her plan. Not even her younger sister could persuade her otherwise.

A firm knock sounded on the door to her compartment. “Tickets, please.”

Katherine rose and opened the door, greeting the conductor with as much of a smile as she could muster. Weariness made every muscle ache and her eyelids feel heavy. She handed her ticket to the man, her artist’s eye taking note of his well-pressed navy uniform.

The two buttons on each sleeve as well as the four buttons down the front of his coat were polished to a brilliant shine. Had it not been for the detailed insignia on each one, Katherine had no doubt she’d be able to see her reflection in them if she leaned close enough. Even the four external pockets had been ironed so they almost blended in with the coat. Not a wrinkle to be found, other than the minor creases at his elbows. Such a humble occupation, yet this man took obvious pride in his appearance. And it showed in the way he held himself, as well as the direct eye contact he made. He was content in the work he did and gave it his all, right down to the shine on his black leather shoes.

“Going all the way to Rock Springs, Miss?”

Katherine snapped up her head and returned his gaze as she nodded. “Yes, sir. And then on to Twin Creeks.”

He pursed his lips and glanced down again at her ticket, then gave her a slow, but not indiscreet, perusal. “Nice little town, Rock Springs. Don’t know much about Twin Creeks, other than it’s a might bit to the south. Folks there are real sociable.” He tilted his head and narrowed his eyes, as if sizing her up and comparing her to some preconceived notion in his mind. “You got family there?”

The conductor certainly was the curious sort. Personable too. But Katherine wasn’t sure just how much information she should be giving him. They were well past Chicago and crossing the Plains, so it wasn’t as if anyone within a thousand miles would be looking for her. Still, better to err on the side of caution than risk putting an end to her adventure before it truly began.

“No, sir. I’m traveling west to take a teaching position there. I responded to an advertisement in one of the papers back East, and they accepted.” She forced a cheerful quality to her tone. “So, here I am.”

“Hmm. Yes.” He reached up and stroked his clean-shaven chin with his free hand. “I’ve met my fair share of young ladies traveling west for one reason or another. Lots of opportunities, there for the taking…if you’ve got the gumption.” Katherine straightened to her full five-foot, five inches and squared her shoulders. Something between a cough and a chuckle escaped from the conductor’s mouth. “And something tells me, little lady, that you do.” He tipped his head over his shoulder to the right. “Be sure and visit our dining car. Some of the best meals on the line, in my opinion. And I’ve traveled a lot of these rails. The roast pheasant and the braised beef are not to be missed.”

Katherine’s stomach rumbled. Her cheeks warmed at the conductor’s chuckle, and she placed a hand over her abdomen. “I appreciate the recommendation,” she replied above her chagrin.
“My pleasure. We’ve still got quite a ways to Rock Springs. If there’s anything else I can do to make your travels more comfortable, don’t hesitate to come find me. The name’s Stanley.” He returned her ticket and took one step backward. “Now, I best be getting back to my duties.” Tipping his hat, he offered a kind smile. “You have a nice remainder to your journey.”

“Thank you, sir. You’ve been extremely kind and helpful. I’ll be sure to leave word of your exemplary performance with the railroad company at my first opportunity.”

Without another word, the conductor bowed and turned on his heel to continue his task. Katherine slid the door closed and returned to the padded bench, sinking into the plush cushion. It was so easy to remain secluded for the entire journey when she had purchased a private compartment. But Stanley was right. She should venture out and explore the train, take advantage of all it had to offer. The sights out of her window provided a wealth of material for sketching, but she’d seen nothing of the interior since she’d boarded.

It was time to do some exploring.

* * * * *

“Arriving, Rock Springs. Next stop, Green River!”

The conductor’s voice boomed through the closed door. Katherine placed the last of her personal items in her satchel.

The train squealed and slowed, its wheels struggling against the brakes in a tug-of-war challenge of motion. And the brakes won as the train came to a halt.

Rock Springs, Wyoming Territory.

After what felt like a month of travel and crossing seven states, Katherine had finally arrived at her stop. The Great Plains were the worst. Those miles seemed to take three times as long. If only this town could be the final destination. She still had a bumpy stagecoach ride to endure. At least on the train, she had a cushion as a seat and privacy. The stage wouldn’t be so kind.

“Can I help you with your luggage, Miss?”

Katherine looked up as she reached the top step. “Thank you. Yes. I would appreciate that very much. Dawson is the name on the trunks.” She accepted the attendant’s hand as he helped her to the platform and presented her claim tags. Solid ground again. For the moment, anyway.

“Will you be staying here in Rock Springs? I can recommend a nice boardinghouse with the best veal and pot roast this side of the Green River.”

Her mouth watered at the possibility of another good meal. “Actually, I need to secure passage to Twin Creeks by stage.”

With any luck, the next stage wouldn’t be there until tomorrow. Perhaps she’d have a chance to check out that boardinghouse and take a warm bath to rid herself of the travel grime.

“Oh! Then you best be getting to the ticket window, Miss. That stage is here and it leaves in less than fifteen minutes!” He signaled to another attendant, then pointed toward a window at the opposite end of the platform. “I’ll make sure your belongings get transferred to the stage. You mosey on over to that counter and take care of your ticket.”

So much for a hot meal and the chance to freshen up a bit. Katherine made her way down the wooden planks, worn in notable spots yet providing a walkway free of any dirt or debris. She might be exhausted, but her eyes still caught every meticulous detail and logged it in her mind.

With her final ticket in hand, she followed the ticketmaster’s instructions and headed for the waiting stagecoach. True to his word, the attendant oversaw the transfer of her trunks to the top of the stage. A matronly woman barked orders and gestured with both arms in an agitated manner. Her shrill voice carried on the wind to Katherine’s ears, each piercing command making her cringe. The oversized feather plume—tucked into a hat with far too many ribbons and a brim that would fit a horse’s head—flapped as she spoke.

Was that woman going to be one of her companions on the ride to Twin Creeks? Perhaps Katherine could plead a headache and endure the ride with her eyes closed.

“Ah, Miss Dawson!” the attendant called as soon as she neared the stage. “Your trunks have been loaded, and there is space for one more, so you’re in luck.” His engaging smile reminded her of Thomas, her older brother. That man could charm a spider from its web, and this gentleman seemed capable of the same.

“Thank you, Mr…” She dragged out the formal address, waiting for him to supply the rest.

“Just Willie, Miss. No need for anything fancy out here.” He tipped his cap. “And it were my pleasure. Helping a pretty lady like yourself makes the more trying tasks worthwhile.”

Willie made a barely perceptible visible motion of his eyes toward the matron Katherine had heard only moments before. Katherine fought hard to control the giggle which threatened to escape. She settled for a slight grin and a wink, which Willie returned. If only he could join them on the ride. It might not be as bad.

“Will you also be riding with us?” asked the woman with the shrill voice. Only this time, she sounded much more pleasant.

It took Katherine a moment to realize the woman was addressing her. “Yes, ma’am. I am.”

“Well, thank goodness! At least we’ll have some civilized company along. I was worried there’d be nothing but uncouth men chewing tobacco and letting loose with their offensive language.” The woman took the hand of the stagecoach driver and placed her foot on the step. The stage tilted toward them under her ample girth, then it settled once the woman took her seat.

“Miss Dawson, I hope your journey will be quick and comfortable.”

Katherine again smiled and dipped her head. “Thank you, Willie. For everything.” She withdrew a few coins from her reticule and pressed them into his hand. “Have a nice day.”

Once seated herself, Katherine made a silent determination to only speak if someone spoke to her. Otherwise, she’d be content to sit in silence and observe her other companions. More material for her sketchbooks as soon as she again had the chance to add to them. And with the man who reeked of body odor, the scruffy lad in need of a shave and a haircut, and the presumptuous matron who now sat opposite her, Katherine was sure she’d have more than enough unique characters to add depth to her many sketched scenes.

Were all three of these other passengers also residents of Twin Creeks? Then it might behoove her to be more cognizant of making a good first impression. Only the ride would tell.


* * * * *

NOW IT'S YOUR TURN:

* Have you ever been on a journey by bus, train, or even car where you encountered or traveled with fellow passengers who would provide amazing material for a sketch or book? Share about one of them.

* When have travel plans gone a bit awry and a much-needed or much-desired chance to freshen up became impossible? What was the result?

* What did you like most about today's post?



BIO

Tiffany Amber Stockton has been crafting and embellishing stories since childhood, when she was accused of having a very active imagination and cited with talking entirely too much. Today, she has honed those childhood skills to become an author and speaker who works in the health & wellness and personal development industry, helping others become their best from the inside out. She is also an educational consultant with Usborne Books.

She lives with her husband and fellow author, Stuart Vaughn Stockton, in Colorado. They have one girl and one boy, and a Retriever mix named Roxie. She has sold twenty (21) books so far and is represented by Tamela Hancock Murray of the Steve Laube Agency. You can find her on FacebookTwitterGoodReadsPinterest, and LinkedIn.

Thursday, November 9, 2017

Sketches in Calico - Wyoming Paintbrush

By Tiffany Amber Stockton



Last month, I shared about "Art of the West" and asked for your input on a unique characteristic of art my heroine could do to identify pieces she paints as undeniably hers. If you missed that post, you can read it here: http://www.hhhistory.com/2017/10/painting-west.html.

This month, because I'm on a self-imposed deadline writing for NaNoWriMo, I'm going to share the first 2 scenes of chapter 1 in that novel I'm researching. It's part of a 3-book series entitled "Wyoming Paintbrush."

Enjoy!

* * * * *

Sketches in Calico

Chapter One


Katherine Cambridge made her way down the corridor of the second train car. The door to every compartment she’d passed had been closed. Her satchel pulled down on her arm as if she carried lead, and her shoulders ached. At least two layers of soot and grime covered her skin and clothes, and she could barely keep her eyes open. She needed a bath, a fresh gown, and something more to eat than half-cooked vegetables or chicken in desperate need of some seasoning.

And Chicago was just barely the halfway point.

She had more than one thousand miles yet to go. Her body needed to rest. Her stomach needed something substantial. And her feet would love to remain on solid, unmoving ground for more than ten or twenty minutes at a time. What she wouldn’t have given to have had enough funds to purchase travel on a Pullman car. Her family had always traveled on those. An entire car to themselves, complete with a servant to see to all their needs. It would have been nice to have some traveling companions too. Not this time, though. She couldn’t afford the luxury, as much as her weary bones, lonely soul, and fastidious palate would have liked.

The purser had assured her there were plenty of available compartments, but it appeared as if each and every one of them was occupied. Now, where had the purser gone? She glanced up just as the crimson color of the man’s uniform appeared around the wall at the other end of the car.

“Excuse me,” she called.

The man looked up and hurried toward her. “Yes, Miss?”

Katherine inhaled a deep breath to tap into what little extra energy she could find. “Sir, I—”

He placed a hand across the gold buttons running down the center of his chest. “Please, call me Mr. Withers. If I’m to be at your service while you ride this train, we should at least be introduced properly.”

“Yes, Mr. Withers. My name is Katherine Dawson.”

Withers nodded. “Miss Dawson. How can I help you?”

“I’ve recently come on board for the second leg of my journey, and I can’t seem to find any unoccupied private compartments. We spoke a few moments ago, and you pointed me in this direction.”

“Yes, yes. We did.” The purser’s brow furrowed. “And that simply can’t be. I walked through these cars myself before we took on the additional passengers. Opened each one of these doors not ten minutes ago. It’s impossible they’ve all been claimed in such a short time.”

The man turned to the nearest door and gave it two short knocks. No sound came from within, so he placed his fingers on the handle and slid open the door.

Empty.

The purser scratched his head. “Now, that’s odd. Why would this door be closed if there’s no one inside?”

He moved to the next compartment. Same result. The purser repeated his actions for the next four compartments, each one of them as empty as a tomb. The very place in which Katherine might as well be buried if she didn’t find a place of her own to lie down soon. As much as she’d love to help, she didn’t have the strength to stand here and wait for the purser to solve this mystery.

“Sir, I’m sorry about this dilemma, but I do appreciate your assistance. I believe I’ll simply take this compartment here.” She nodded to the one immediately to her right. “I hope you find out what happened and why the doors—”

A childish giggle interrupted Katherine’s statement. Both she and the purser turned to look behind her. There, peering around the wall near the entrance to the car stood a young lad with a face full of freckles, an unruly shock of auburn hair, and an impish gleam in his chocolate eyes. His hand covered his mouth as he snickered.

“Ah-ha!” The purser brushed past her and grabbed hold of the lad’s arm before the boy could escape. “I do believe we’ve found our culprit.”

Katherine stared. How many young boys like this would she find in her classroom at the school in Twin Creeks? A part of her wanted to reprimand the child, but another part couldn’t fault him. She and her brothers and sister had pulled harmless pranks like that far too many times to count. Besides, the boy didn’t appear to be a threat in any way. He merely looked starved for attention. The way he peered up at the purser said far more than his actions.

“Do accept my apologies, Miss. We often have mischievous urchins such as this stealing aboard our trains and causing trouble for our passengers.” He reached down and clasped the young lad’s chin in his free hand, giving the boy a stern verbal warning coupled with an amused glint in his eyes. “I can assure you, it won’t happen again.” Turning to lead the child off the train, the purser cast a glance back over his shoulder. “Please, feel free to choose any one of those compartments you deem suitable, and again, I am sorry.”

The man disappeared with the boy before she had a chance to respond. So, Katherine hefted her satchel yet again and stepped toward the nearest bench, sliding the door shut behind her. She almost fell against the lone seat, her eyes closing the moment her head touched the cushion. Finally. Rest again.

* * * * *

“Tickets! Tickets, please.”

The conductor’s voice grew louder as he approached. His firm knock on each door of the private compartments preceded brief mumbled conversation before he resumed his call in the general corridor.

Katherine awoke from her slumber, then reached into her cloak pocket and pinched the folded letter inside the envelope for the thousandth time. As if touching it would make this journey any more real. Still, it helped to have something tangible to remind her she had a purpose in traveling all the way across the country. Her family might not feel the same way. In fact, she was sure they wouldn’t. And they were no doubt shocked to discover her letter the morning after she slipped away during the night. But she didn’t have a choice. Life in Philadelphia had been crushing her dreams. If she had any chance of making it as an artist and pursuing her passion, she had to get away.

So she did.

Now, more than halfway to her destination, the first pangs of conscience and uneasiness struck. Katherine had been so caught up in what she’d discover once she arrived in Twin Creeks, Wyoming, she hadn’t allowed any thoughts to deter her from her plan. Not even her younger sister could persuade her otherwise.

A firm knock sounded on the door to her compartment. “Tickets, please.”

Katherine rose and opened the door, greeting the conductor with as much of a smile as she could muster. Weariness made every muscle ache and her eyelids feel heavy. She handed her ticket to the man, her artist’s eye taking note of his well-pressed navy uniform.

The two buttons on each sleeve as well as the four buttons down the front of his coat were polished to a brilliant shine. Had it not been for the detailed insignia on each one, Katherine had no doubt she’d be able to see her reflection in them if she leaned close enough. Even the four external pockets had been ironed so they almost blended in with the coat. Not a wrinkle to be found, other than the minor creases at his elbows. Such a humble occupation, yet this man took obvious pride in his appearance. And it showed in the way he held himself, as well as the direct eye contact he made. He was content in the work he did and gave it his all, right down to the shine on his black leather shoes.

“Going all the way to Rock Springs, Miss?”

Katherine snapped up her head and returned his gaze as she nodded. “Yes, sir. And then on to Twin Creeks.”

He pursed his lips and glanced down again at her ticket, then gave her a slow, but not indiscreet, perusal. “Nice little town, Rock Springs. Don’t know much about Twin Creeks, other than it’s a might bit to the south. Folks there are real sociable.” He tilted his head and narrowed his eyes, as if sizing her up and comparing her to some preconceived notion in his mind. “You got family there?”

The conductor certainly was the curious sort. Personable too. But Katherine wasn’t sure just how much information she should be giving him. They were well past Chicago and crossing the Plains, so it wasn’t as if anyone within a thousand miles would be looking for her. Still, better to err on the side of caution than risk putting an end to her adventure before it truly began.

“No, sir. I’m traveling west to take a teaching position there. I responded to an advertisement in one of the papers back East, and they accepted.” She forced a cheerful quality to her tone. “So, here I am.”

“Hmm. Yes.” He reached up and stroked his clean-shaven chin with his free hand. “I’ve met my fair share of young ladies traveling west for one reason or another. Lots of opportunities, there for the taking…if you’ve got the gumption.” Katherine straightened to her full five-foot, five inches and squared her shoulders. Something between a cough and a chuckle escaped from the conductor’s mouth. “And something tells me, little lady, that you do.” He tipped his head over his shoulder to the right. “Be sure and visit our dining car. Some of the best meals on the line, in my opinion. And I’ve traveled a lot of these rails. The roast pheasant and the braised beef are not to be missed.”

Katherine’s stomach rumbled. Her cheeks warmed at the conductor’s chuckle, and she placed a hand over her abdomen. “I appreciate the recommendation,” she replied above her chagrin.

"My pleasure. We’ve still got quite a ways to Rock Springs. If there’s anything else I can do to make your travels more comfortable, don’t hesitate to come find me. The name’s Stanley.” He returned her ticket and took one step backward. “Now, I best be getting back to my duties.” Tipping his hat, he offered a kind smile. “You have a nice remainder to your journey.”

“Thank you, sir. You’ve been extremely kind and helpful. I’ll be sure to leave word of your exemplary performance with the railroad company at my first opportunity.”

Without another word, the conductor bowed and turned on his heel to continue his task. Katherine slid the door closed and returned to the padded bench, sinking into the plush cushion. It was so easy to remain secluded for the entire journey when she had purchased a private compartment. But Stanley was right. She should venture out and explore the train, take advantage of all it had to offer. The sights out of her window provided a wealth of material for sketching, but she’d seen nothing of the interior since she’d boarded.

Time to do some exploring.

* * * * * * * * * *


NOW IT'S YOUR TURN:

* Have you ever traveled by train overnight in a sleeping compartment? Where did you originate and where was your destination?

* Have you ever been on a train long enough to utilize a dining car? What was it like? What did you eat?

* What is the longest train ride you've ever taken?

* What did you like most about today's post? And would you like to read more excerpts in the future?



BIO

Tiffany Amber Stockton has been crafting and embellishing stories since childhood, when she was accused of having a very active imagination and cited with talking entirely too much. Today, she has honed those childhood skills to become an author and speaker who works in the health & wellness and personal development industry, helping others become their best from the inside out. She is also an educational consultant with Usborne Books.

She lives with her husband and fellow author, Stuart Vaughn Stockton, in Colorado. They have one girl and one boy, and a Retriever mix named Roxie. She has sold twenty (21) books so far and is represented by Tamela Hancock Murray of the Steve Laube Agency. You can find her on FacebookTwitter, GoodReadsPinterest, and LinkedIn.

Monday, October 9, 2017

Painting the West

By Tiffany Amber Stockton



Last month, I shared about "Pingree's Potato Patches." If you missed that post, you can read it here: http://www.hhhistory.com/2017/09/pingrees-potato-patches.html.

* * * * * * * * * *

Art of the West

For over 100 years, the west has held great appeal for thousands, even millions of people. And just a few years before Westward Expansion became a time frame in American History, artists and sketch masters ventured west, drawn by the beauty and the grandeur of the wide open spaces, majestic mountains, and untouched landscapes. Perfect for capturing the essence on paper and in photographs.

I have started working on a series of westerns, full of cowboys, ranches, riding range and roping. I'm excited more and more each day as I research, plot, develop, and write. Some of my favorite books on my shelves are westerns, and I return to them time and time again.

But merely reading them and doing research wasn't enough.

Westerns as a setting are quite common in fiction, and especially the inspirational market. So many are full of the hero or heroine who was born in the east and headed west for one reason or another. I didn't want the first book in my series to be nothing but a recycled story that's much of the same, so I brainstormed with my critique partners and came up with a unique hobby for my lead heroine. Although she travels west and takes a teaching position, art is her true passion. She knows she can't support herself on art alone, though, and she actually receives multiple rejections from gallery owners because she's a woman, which is why she heads west. The teaching provides her the income that leaves her free to sketch and paint. Her distance also allows her to send her paintings back east in the hopes of having her art displayed in galleries under a pseudonym, leaving gallery owners and patrons to believe she's a man.

To depict my heroine accurately, though, I had to look up some actual artists of the time period and view some of their works. Albert Bierstadt is one of my favorites. Has been since I was a young teen. I own a copy of one of his prints, and I've studied his style so extensively, I can pick out of a piece done by him within seconds of seeing it.

Some of his characteristics are:
  • water or waterfall
  • deadwood in the foreground
  • mountains
  • sunsets or grand cloud formations
  • wild animals
  • nature untouched
Once you see enough of his pieces, you might be able to identify his pieces by sight only too.

That's my goal for my heroine in this new series. I want her art to be so recognizable by the gallery owners and art lovers back east, that just one look identifies the piece as hers. That means she'll need something unique she does in each one of her pieces. Maybe YOU can help. What do you think she should do as her artist "stamp" so to speak that identifies each piece as done by her without a doubt?

NOW IT'S YOUR TURN:

* Do you know of any artists who are known for painting the west?

* Do you have a favorite artist that you collect or perhaps certain types of art?

* What do you think it is that appeals to most people or catches their eye about western art? Characteristics, qualities, elements, etc.?

* What is 1 fascinating fact about today's post which caught your eye today?



BIO

Tiffany Amber Stockton has been crafting and embellishing stories since childhood, when she was accused of having a very active imagination and cited with talking entirely too much. Today, she has honed those childhood skills to become an author and speaker who works in the anti-aging, health & wellness, and personal development industry, helping others become their best from the inside out.

She lives with her husband and fellow author, Stuart Vaughn Stockton, in Colorado. They have one girl and one boy, and a Retriever mix named Roxie. She has sold twenty (21) books so far and is represented by Tamela Hancock Murray of the Steve Laube Agency. You can also find her on FacebookTwitterPinterest, and LinkedIn.

Wednesday, February 18, 2015

Frederic Remington

By Nancy J. Farrier

Please leave a comment below to be entered in a giveaway.


In January 2015, I blogged about Western artist, Charles Marion Russell. While researching Russell’s story, I found that he was a contemporary of Frederic Remington, another well-known Western artist. I thought I would share Remington’s story with you this month. As we’ll see there were major differences between the two artists, even though there is some similarity in their work. Russell made a living as a cowboy and chose to live in the west for much of his life. Remington tried living in the west, and did get an understanding for the cowboy life, but chose to live back east instead of the more rugged West.

Frederic Remington was born in 1861 in Canton, New York. His father attended West Point and served as a Colonel in the Civil War. He had high hopes his only child, Frederic, would follow in his footsteps, but Frederic proved more interested in the arts than in math and other studies necessary to attend West Point. Instead, he practiced drawing cowboys and soldiers from an early age. As he grew older, he often drew caricatures of his classmates. When he attended Yale, his first published drawing was a cartoon of injured football player.

In 1879, he left Yale to care for his father who had contracted tuberculosis. After his father’s death, Remington worked a variety of small jobs at newspapers. He once told his uncle he didn’t aspire to fame, but would be content working as a journalist with a sideline in art.

At 19, after receiving an inheritance, Remington set out for the wilds of Montana. He considered buying a ranch, or going into mining until he realized his inheritance wouldn't cover the cost. While in the West, he did begin to understand the harsher elements and the nature of the cowboy’s work, something that showed up in his art work. Harper’s Weekly published Remington’s first commercial piece of art, a re-creation of a quick sketch he’d done on some wrapping paper.

After numerous ventures that either didn’t pan out, or weren’t what Remington wanted to do, he began to sketch and paint in an attempt to make a living with his art work. His earlier choice of sketching patrons of saloons hadn’t been favored by his wife and she left him. He continued to paint, reunited with his wife and moved back east. At this time, his technique was considered amateur and rough. Remington began studying at the Art Students League of New York. He began to submit sketches to Harper’s Weekly and Colliers. In 1886, at the age of 25, he received his first full page under his own name in Harper’s Weekly.

He traveled a lot to various places such as Arizona and Canada, but his big break came when he was commissioned to illustrate a book for Teddy Roosevelt. Ranch Life and the Hunting Trail would showcase 83 illustrations by Remington. The book was serialized in The Century Magazine before being published as a book. Remington’s credibility as a Western artist soared as the issues released.

Remington received many honors. In 1888, two of his paintings were chosen by the U. S. Postal to be reproduced on stamps. After being dropped by Harper’s Weekly, he wrote and illustrated books about the West. In 1898, he became a war correspondent for the Spanish-American War. At the end of the war, the Rough Riders presented Teddy Roosevelt with Remington’s bronze, The Bronco Buster. Remington declared this to be a great honor.

Throughout his life, Remington produced close to 3000 works of art, wrote 8 books and cast 25 bronzes, many of which are popular reproductions today.  His study on the horse in motion changed the way horses were depicted in art.

Frederic Remington died young at 48 years old, from complications of appendicitis.


Have you ever read any of Remington’s books? Do you prefer his paintings or his bronzes? Leave a comment below to be entered in the giveaway for a copy of my latest release, or for one of my other titles of your
choice.


8 Weddings and a Miracle - Weather the storms of life alongside nine modern couples who hope to make it to the altar—someday. Be it a meeting in the wrong place at the right time, an accident that opens hardened hearts, or weather that seems to blow things off course, sometimes love needs a little divine intervention. 8 Weddings and a Miracle includes my novella, Wall of Stone, a story set in contemporary England. 


 Nancy J Farrier is an award winning author who lives in Southern California in the Mojave Desert. She loves the Southwest with its interesting historical past. Nancy and her husband have five children and one grandson. When Nancy isn’t writing, she loves to read, do needlecraft, play with her cats, and spend time with her family. Nancy is represented by Karen Ball of The Steve Laube Literary Agency. You can read more about Nancy and her books on her website: nancyjfarrier.com.




Sunday, January 18, 2015

Charles Marion Russell

Charles Marion Russell
Charles Marion Russell, probably best known as an artist who depicted life in the Old West, also wore many other hats. He was a well-known story teller, a writer, historian, and an advocate for the Western Plains Indians. He loved the outdoors and he loved his adopted State of Montana so much that he didn’t want to leave.

Camp Cook's Troubles
Courtesy Wikipedia Commons
Born in 1864, in St. Louis, Missouri, Charles wanted to grow up to be a cowboy. His father partnered in a brick manufacturing business, but Charles, who struggled with book learning, wanted to go west. Just shy of his sixteenth birthday, he arrived in Montana ready to fulfill that dream. He started out learning the wilderness from a hunter and trader, Jake Hoover, spending two years with him.

The Tenderfoot
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In 1882, he began to live his dream as a night herder for some cattle outfits. What he didn’t realize at the time, was that he would gain more than learning to wrangle cattle. He would learn firsthand how the men and animals of the west interacted. Later, he would turn those memories into paintings and sculptures so realistic they would seem to take on a life of their own.
Waiting for Chinook
Courtesy Wikipedia Commons

In a depiction of a particularly brutal winter, Russell painted a watercolor of a starving cow surrounded by wolves. This picture brought him widespread recognition in 1887. By this time, he was already known locally for his story telling. He had a quiet way of speaking that kept his audience enthralled.

The Cryer
Courtesy Wikipedia Commons
By 1893, Russell turned to art full time. In 1896, he married Nancy Cooper. She had a head for business and in time became his business manager. Russell painted more than 2,000 pictures, plus the many bronze sculptures he made. His artwork appeared on postcards, color reproductions and in calendars. He was considered the first “Western” artist to live most of his life in the West.

Stories abound on the life of Charles Russell. He was known as a constant smoker. It’s said that as soon as one cigarette finished, he would stop and roll another one. This often happened when he
Buccaroos
Courtesy Wikipedia Commons
would be telling stories to an audience. Even if he had come to a critical place in the story, he would stop talking until he’d finished rolling and lighting his next cigarette. He expected his listeners to wait and they were so caught up in the tale he’d been unravelling that they did wait for him.


To the Victor Belongs the Spoils
Courtesy Wikipedia Commons
Russell was also noted for not laughing as he told stories. He spoke in a slow, drawling narrative, is expression deadpan. Even if he had his listeners laughing aloud, he didn't smile, or change from his serious demeanor.

I love Russell's vivid portrayal of the West. Have you every seen any of Charles Russell's paintings or sculpture? I appreciate that he lived the life before putting it on canvas, in bronzes or in words. What other artist do you know that did this?


Nancy J Farrier is an award winning author who lives in Southern California in the Mojave Desert. She loves the Southwest with its interesting historical past. Nancy and her husband have five children and one grandson. When Nancy isn’t writing, she loves to read, do needlecraft, play with her cats, and spend time with her family. Nancy is represented by Karen Ball of The Steve Laube Literary Agency. You can read more about Nancy and her books on her website: nancyjfarrier.com.