Unsung Heroines in American History – by Donna Schlachter

With Women’s Month a blip in our rear view mirror, I wanted to share some fascinating stories about women in American History. We often think of Molly Brown, Calamity Jane, and Amelia Earhart when we consider women who made a difference in our history and culture, but there were many more we never hear about.

In researching this post, I found an article from Time magazine, my primary source. Feel free to check it out here: https://time.com/5786065/womens-history-month-women-to-know/ . All photos came from that article. (Please note, there are women featured in this article that I chose not to highlight primarily because of their political leanings and affiliations.)

Emilia Casanova de Villaverde

Emilia Casanova de Villeverde: She lived most of her life in New York City, serving tirelessly as an abolitionist. She formed a women’s club and raised funds to support the elderly, widows, and orphans. Her mansion in the South Bronx hid weapons and ammunition, to aid the liberation army in Cuba, in a series of vaults. Emilia passed in 1897.

If you’re thinking about writing about your own heroine who uses her wealth and position of influence in society, you might want to use Emilia as your model.

Dorothea Dix

Dorothea Dix: Dorothea’s focus was on asylum and prison reform. During her lifetime, 1802-1887, women were silent victims in both of these institutions. A husband or her parents could have a woman committed to an asylum indefinitely without a court hearing or psychological examination, merely because she spoke out against popular topics such as abolition, women’s rights, and many other topics.

Dorothea headed the Union Nurses during the Civil War, inspected prisons, jails, poorhouses, and workhouses. She forced states to allocate land, money, and legislative attention on the creation and improvement of these institutions.

A heroine in a story based on Dorothea might be portrayed as standing up to irate wardens, judges, and husbands to force better conditions for the incarcerated.

Laura Cornelius Kellogg

Laura Cornelius Kellogg: Laura was a Native woman, but also an activist, author, orator, and policy reformer. She helped found the Society of American Indians, which was run for and by American Indians. In doing so, she resisted the government’s policy to send Native American children to boarding schools, a direction that hoped to eradicate Native culture and language.

A Native American heroine based on Laura could share the story of Native children learning their tribal language in secret, for example.

Mary Tape at around 11 years old

Mary Tape: Born in China in 1857, Mary emigrates to the United States with her family, ending up as a servant in a brothel in San Francisco. She ran away, took on a different name, then met Joseph Tape while he was delivering milk. They marry, and together they build a prosperous transportation and immigration brokering business.

Despite their fabulous wealth, they are not immune from anti-Chinese sentiment and racial hostility. In 1884, their daughter is denied admission to public school, sparking the landmark court case Tape v. Hurley, which guarantees Chinese children the right to a public school education.

Perhaps this triggers an idea for a book about a rags-to-riches heroine who overcomes her past.

Maggie Lena Walker

 

Maggie Lena Walker: Maggie was the first black female bank president in the United States, founding the St. Luke Penny Savings Bank in 1903. She was also a member of the Independent Order of St. Luke (IOSL), a secret society for women of color that was founded in the 1850s. In the 1920s, she, her bank, and the IOSL, provided financial services to more than one hundred thousand members in over twenty states, and was the largest employer of professional, white-collar black women in the country.

Regardless of color, any book featuring a heroine who was among the movers and shakers of her time would thrill readers.

Of course, there are plenty more unsung heroines in our history, but this sample of different ethnicities, different backgrounds, and different heart focus is a good example of what can be accomplished when we stand up for what is right.


About Donna:

A hybrid author, Donna writes squeaky clean historical and contemporary suspense. She has been published more than 60 times in books; is a member of several writers groups; facilitates a critique group; teaches writing classes; and judges in writing contests. She loves history and research, traveling extensively for both, and is an avid oil painter. She is taking all the information she’s learned along the way about the writing and publishing process, and is coaching committed career writers. Learn more at https://www.donnaschlachter.com/the-purpose-full-writer-coaching-programs Check out her coaching group on FB: https://www.facebook.com/groups/604220861766651



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Say Cabbage and Smile!

In 1850, Julia Shannon of San Francisco took the family portrait to new heights when she shockingly advertised herself as a daguerreotypist and midwife. 

After reading about her I just had to write about a lady photographer. Of course, the heroine of my book A Vision of Lucy doesn’t deliver babies but she still finds plenty of ways to get into trouble.

 

I loved writing about old time photography and have nothing but awe for the brave souls who first took camera in hand. Not only did they contend with unwieldy equipment but also dangerous chemicals and exploding labs.

Women had an advantage over male photographers who were often confounded by female dress.  
This explains why one photographer advertised in 1861 for an assistant, “Who understands the hairdressing business.” Women also had a few tricks up their leg of mutton sleeves—or rather their skirts. Elizabeth Withington invented a “dark thick dress skirt” to use as a developing tent when she traveled.

Those cheerless faces in early photographs were partly due to vices that held heads still for long periods of time. 

Photographers used all sorts of devices to hold a client’s interest. One even had a trained monkey. Another photographer had a canary that sang on command. Mechanical birds were a favorite gimmick and “Watch the birdie” became a familiar refrain in studios across the country.

Magazines and newspaper ran ample advice for posing. An 1877 edition of The Chicago Inter-Ocean advised women with large mouths to say the word “Flip,” although one photographer preferred the word “Prunes.” If a small mouth was the problem the word “Cabbage” would make it appear larger. 

Not everyone was enamored with cameras. One dog owner put up a sign warning “photographers and other tramps to stay away” after his dog had an unfortunate run-in with a tripod.

Did photography have a bearing on the suffragette movement? Indeed, it did, but it appeared to be more of a detriment than a help. The photographs of militant suffragettes and women dressed in bloomers did more harm than good.

If you think America was tough on suffragettes, think again. 

The women’s rights movement was considered the biggest threat to the British Empire. According to the National Archives the votes-for-women movement became the first "terrorist" organization subjected to secret surveillance photography in the world.

Photography has come a long way since those early daguerreotype days. One can only imagine what the brave souls of yesteryear would think of today’s “aim and click” cameras. Now days you can’t even drive down the street without having your picture taken. But as the heroine of A Vision of Lucy would say, it's best not leave the house unless you’re ready for your close up.

Having your photograph taken used to be a special occasion. Today, no one thinks twice about snapping pictures. Do you think we value photos less or more today than we did a century ago?

When posing for Lucy anything can happen--and usually does.  

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Margaret Brownley has authored thirty books 

and is a New York Times Bestselling Author.

www.margaretbrownley.com