Wednesday, June 10, 2026

The Dahlonega Mint

by Denise Farnsworth

By the middle of the 1830s, the Georgia Gold Rush was in full swing. Miners who had first filled their pockets (or goose quills, the early method of storage and measurement for payment) with gold dust panned directly from the streams had moved on to tunneling into the hills with vein mining. Boom towns sprang up where gold dust and nuggets could be traded directly for provisions and services. Larger mining operations offered script called "miner's money" that could be redeemed at company stores. But for those who wanted to secure their gold, a problem arose.

Miners could send their earnings to the Philadelphia mint or deposit it at the branch bank in Savannah. But they would receive only two-thirds of the gold’s estimated value at the time of deposit, with the balance paid when the mint fixed the bullion’s value. Or they could use a private minter like Templeton Reid in Gainesville. But a letter to the editor of the Georgia Courier revealed that Reid’s coins held less than face value…which was true because he’d failed to account for silver and tin alloy.

In 1834, a bill introduced in the U.S. Senate allowed for the establishment of branch mints in the South. By the next year, the locations for these mints had been fixed—New Orleans, Louisiana; Charlotte, North Carolina; and Dahlonega, Georgia. Dahlonega’s mint was to be constructed using the same plans as the Charlotte Mint. Architect William Strickland, well known for his Greek Revival style, designed a structure of two stories composed of brick, covered with stucco, and containing twenty-seven rooms.

Lawyer and Methodist minister Ignatius Few was appointed commissioner in charge of the new mint. He purchased ten acres just south of town from William Worley for $1050. Few quickly encountered multiple challenges inherent to the mint’s remote mountain location, such as securing bricks, stone, lumber, and good labor. Benjamin Towns of Athens won the construction bid and agreed to finish the mint within eighteen months.

By early 1837, Few allowed the delivery of machinery although construction was not quite complete. Fifteen large crates containing over $15,000 of equipment including two state-of-the-art steam presses, shipped from Philadelphia to Savannah, then upriver to Augusta. There they began a two-week trip on ten wagons to Dahlonega.


Dr. Joseph Singleton
Receiving wind of the construction delays, the Philadelphia mint dispatched inspector Franklin Peale, who arrived in Dahlonega in November 1837. His report: “The workmanship of the Mint edifice is abominable.” And it went on from there to describe inadequate bricks, a leaky roof, and defective first-floor arches. By the time the mint opened in February 1838 under Superintendent Dr. Joseph Singleton, the contractor was still at work, the water pump to supply the steam engine did not work, and copper and silver necessary to the coining process had not arrived. 

Despite these technical problems and a host of staffing issues and in-fighting that followed, almost a thousand ounces of gold were deposited during the first two weeks the mint was open for business. The first coins, eighty half eagles, were struck on April 21, 1838. The first quarter eagle was minted almost a year later. In 1849, gold dollars were produced. The mint operated until the Civil War began in 1861.
Dahlonega quarter eagles

For a deep dive into the staffing and operations of the Dahlonega Mint, you can consult The Neighborhood Mint by Sylvia Gailey Head and Elizabeth W. Etheridge. For a fictional romance about the town of Dahlonega during the opening days of the mint, try my latest release, The Schoolmarm and the Miner. A teacher seeking independence. A widower guarding his heart. In Georgia's gold country, the richest prize may be the love they’re afraid to claim. https://www.amazon.com/Schoolmarm-Miner-Twenty-Niners-Georgia-Gold-ebook/dp/B0GMRS3Q88/

Denise Farnsworth, formerly Denise Weimer, writes historical and contemporary romance mostly set in Georgia and also serves as a freelance editor and the Acquisitions & Editorial Liaison for Wild Heart Books. A wife and mother, she always pauses for coffee, chocolate, and old houses.


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