Showing posts with label Grandma Moses. Show all posts
Showing posts with label Grandma Moses. Show all posts

Saturday, April 25, 2026

The Women of the U.S. Postage Stamp—Part 3


By Jennifer Uhlarik

 

Hello, Readers! Happy April. Wait, what? How are we nearly through FOUR months of this year already? Can you believe it?

 

I’m back again with Part 3 of my series on the ladies who have been featured on American postage stamps. So far, we’ve seen many interesting figures, from former First Ladies to foreign monarchs, social reformers, and more. So let’s dig in and see who else we might meet from past postage stamps.

 

This month, we’ll start with Mary Cassatt, who was featured on US postage three separate times—in 1966, 1988, and 2003. Born in 1844, Cassatt was one of seven children born to her stockbroker father and a well-educated mother. As part of her early education, she traveled abroad, learned several foreign languages, and was exposed to drawing and music. By age fifteen, she’d made the decision that art would become her career, and she began studying at the Pennsylvania Academy of Fine Arts against her parents’ wishes. During the years of the Civil War, she went to Europe and studied there. After years of struggle, she did finally find success with her paintings, in part due to a platonic friendship with renowned impressionist painter Edgar Degas. 


This Mary Cassatt Postage Stamp debuted in 1966

The 1988 Mary Cassatt stamp

Here is the 2003 Mary Cassatt stamp,
featuring some of her artwork.


 

Our next lady is Lucy Stone. Born in Massachusetts in 1818, she went on to become the first woman in the state to earn a college degree, which she attained in 1847. After seeing how she and other female teachers were paid a much lower rate than male teachers, she began fighting for equal pay for herself and other women. She both spoke publicly and published her thoughts on matters of slavery, women’s suffrage, and more, and ultimately influenced the likes of Susan B. Anthony and Elizabeth Cady Stanton—two other well-known abolitionists and suffragists. The three together were known as the “Triumvirate” of Women’s Rights Reformers in the late 1800s. Lucy’s stamp debuted in 1968. 


Lucy Stone's stamp, circa 1968


Next on our list of famous ladies from the postage stamps is Anna Mary Robertson Moses. In 1860, Anna was born, the third of ten children of her farming parents. She attended school only briefly, where she was exposed to art. She’d fallen in love with painting, and her father would sometimes purchase her paper by the sheet so that she could create, using grape or orange juice, grass, and other natural substances as her paints. But by age twelve, Anna went to work for a neighboring farm family and continued to do so until she met and married her husband when she was twenty-seven. The pair had ten children together, five of whom survived past infancy. As a wife and mother, she decorated her home with embroidered or quilted items, as well as made such items as gifts for family and friends. After her husband’s death and her own retirement from farming, she continued with such folk-art activities until arthritis made quilting and embroidery too painful. Upon her sister’s suggestion, seventy-six-year-old Anna took up painting again. For nearly three full decades, she painted and sold her art, creating more than 1500 pieces in that time. When her art debuted to the public, the media dubbed Anna “Grandma Moses” despite the fact she wished to be known as Mrs. Moses. The name stuck. Her inspiring life should show everyone that it’s never too late to reinvent yourself. Her name and artwork was featured on a 6-cent postage stamp in 1969. 


Grandma Moses's stamp
debuted in 1969

 

The next two ladies are both writers. The first is Emily Dickinson, the prolific poet who wrote nearly 1800 poems in her brief fifty-five years. Dickinson never married and lived a large portion of her later life as a recluse. It was only after her death that her remaining siblings discovered her extensive writings. During her life, ten of her poems were published, but posthumously, her poetry has grown to be world-renowned and greatly respected. Dickinson was featured on her postage stamp in 1971. The second writer in this pair of wordsmiths is Willa Cather, who spent some of her early childhood in Nebraska, where she was exposed to the westward migration of many immigrant families. This inspired her many novels of the American west and the lives of immigrants in the American frontier. Her stamp debuted in 1973.

Poet Emily Dickinson's stamp

Novelist Willa Cather's stamp


 

The same year, the next lady graced a postage stamp. I have already written a blog post about Elizabeth Blackwell—also known as America’s first female doctor. Check her out here


First female doctor, Elizabeth Blackwell's
stamp.


 

Now let’s drop back in history to the American Revolution, as that’s where the next lady of the postage stamp is from. Sybil Ludington was born in 1761, the daughter of Colonel Henry Ludington. Sybil was honored on a stamp because of a Paul Revere-type ride she supposedly made on April 26, 1777. (I say supposedly, because there are questions whether the ride actually happened, and according to my resources, her descendants have been unable to provide documentation proof of her ride). But as the story goes, sixteen-year-old Sybil rode on horseback some forty miles from her hometown of Fredricksburg, New York (close to Danbury, CT), to alert her father and his 400 militia men that the British had attacked Danbury’s supply depot. Whether the ride actually happened, the United States Postal Service honored Sybil with her own stamp in 1975.


Sixteen-year-old Sybil Ludington rode 40
miles at night to warn her father and the militia
of a British attack.


 

The story behind our next woman is probably the saddest of the list thus far. Clara Maass was born in 1876 to a poor family and eventually went to nursing school to support herself and her family. After graduating school, she worked in her field, getting promoted to head nurse at Newark German Hospital in 1898. When the Spanish-American War broke out, she volunteered her services but was sent home after contracting dengue fever. She returned later and helped to nurse many soldiers—but not because of injury as much as the many illnesses they contracted, among them Yellow Fever. In 1900, the U.S. Army developed a Yellow Fever Commission to study how the illness was transmitted—whether through mosquito bites or through human contact. The Army asked humans to volunteer for the study, in which they would allow themselves to be bitten by infected mosquitoes in exchange for $100/bite (with inflation, this amount would be in the thousands today). While we don’t know her reasoning for this, Maass agreed and purposely allowed herself to be bitten by infected mosquitoes multiple times in the early part of 1901. The first time, she became mildly ill and recovered. Other times, she didn’t fall sick, leading those conducting the study to hope her first experience had immunized her. However, in mid-August of 1901, she endured her next infected bite and grew extremely ill quickly. She never recovered. Ten days after the fateful bug bite, she died at age 25. After this, human experimentation was discontinued, and on what would’ve been her 100th birthday, Clara was featured on her own postage stamp.


This stamp was issued on what would
have been Clara Maass's 100th
birthday


 

The last lady of the postage stamp that we’ll look at for today is none other than Harriet Tubman, who was featured twice—once in 1978 and again in 1995. Born into slavery, she was originally named Araminta Ross in 1822. In 1849, she escaped her slave owner via the Underground Railroad and made it safely from Maryland to Philadelphia. However, she was not content, knowing that her family and friends were still enslaved. She quickly returned to Maryland and spirited family members safely away to the North. All told, she returned thirteen times and saved seventy people from enslavement, as well as served the Union Army as a scout and spy during the Civil War and later fought for women’s suffrage. Quite an inspiring woman!


The 1978 stamp commemorates
Harriet Tubman's work to free
slaves via the Underground
Railroad.

This 1995 stamp honors Tubman's 
Civil War service.


 

That’s it for now, but we’ll continue our look at these honorees next month. Until then…

 

It’s Your Turn: Which of the women who were honored with their own stamp do you find the most memorable, and why?

 

Jennifer Uhlarik discovered western novels at twelve when she swiped the only “horse” book from her brother’s bookshelf. Across the next decade, she devoured westerns and fell in love with the genre. While attaining a B.A. in writing from the University of Tampa, she began penning her own story of the Old West. She has finaled in and won numerous writing competitions and appeared on various best-seller lists. Besides writing, she’s been a business owner, a schoolteacher, a marketing director, a historical researcher, a publisher, and a full-time homemaker. She lives near Tampa, Florida, with her husband and fur children.

 


Available Now:

Love and Order: A Three-Part Old West

Romantic Mystery

 

Wanted: 

Family, Love, and Justice


One Old West Mystery Solved Throughout Three Short Romantic Stories


Separated as children when they were adopted out to different families from an orphan train, the Braddock siblings have each grown up and taken on various jobs within law enforcement and criminal justice.

 

Youngest child, Callie, has pushed past her insecurities to pursue a career as a Pinkerton agent. Middle child, Andi, has spent years studying law under her adoptive father’s tutelage. And the eldest and only son, Rion, is a rough-and-tumble bounty hunter. 

 

When the hunt for a serial killer with a long history of murders reunites the brother and sisters in Cambria Springs, Colorado, they find themselves not only in a fight for justice, but also a fight to keep their newly reunited family intact. How will they navigate these challenges when further complicated by unexpected romances?

 


 


Friday, July 12, 2024

Playing with Paper



By Kathy Kovach

Kids today have never experienced the thrill of opening a magazine or book to find a toy within the pages. Paper dolls to be cut out had been popular for ages, but just how far back do they go?
Pantins
Paper dolls have been a form of art from ancient Japanese purification rituals, featuring origami figures in kimonos, to jointed pantins or Jumping-Jack puppets in 18th century France. The latter were popular amongst those in high society and the royal courts. They were often used to satirize nobility.

Around that time, in the mid-1700s, paper dolls as we know them today, with separate clothing and accessories, made their way to the fashion circles of Vienna, London, Berlin, and Paris. Used to showcase the latest trends, wealthy adults entertained themselves, using the dolls not only as a fashion plate but, also, to lampoon popular figures at the time.
Marie Antoinette
The Winterthur Museum of Winterthur, Delaware has an exhibit of French hand-painted figures that showcased coiffures and headdresses for sale at the shop of Denis-Antoine on Rue St. Jacques, Paris. These are dated in the 1780s.

Mass produced dolls were introduced in 1791 with The English Doll, sold in London and a similar one sold in Germany. She was eight inches high and came with a stylish set of underclothes, including a corset, headdresses, and six complete outfits.

The largest producer of paper dolls was the United States manufacturer McLoughlin Brothers, founded in 1828. These were fashioned from wood blocks and engraved in the same way as metal plates. Sets were sold for ten cents each. They were the first to add tabs as opposed to wax to attach the clothing. McLoughlin Brothers was eventually sold to the Milton Bradley company in 1920.

Enjoy a relaxing step back in time as the McLoughlin dolls are showcased in this video:
In November 1859, Godey’s Lady’s Book set a precedent when it included a black and white doll on one page and another with costumes for children to color. Other women’s magazines followed suit for many years afterward.

The famed American artist Anna Mary Robertson Moses, known as Grandma Moses (1860-1961) also got into the game when, as a child, she would paint her own dolls and dress them. Many children created their own play, especially during hard times, but I imagine Anna Mary’s were spectacular.
1881
The paper doll trend continued with smaller enterprises in the 1880s. Dennison Manufacturing Company added crepe paper to create dimension.

Newspapers also saw the potential to draw readers in by engaging creative play. The Boston Herald offered two adult women dolls, one blonde and one brunette. Additional fashion dolls could be ordered. Subsequent issues contained additional costumes that fit the previous dolls. That’s one way to keep your readership up!
Mrs. Higgerson
Ladies Home Journal
By the early 20th century, it was clear the paper doll trend was not going away soon, and both European and American publishers offered books with cut-out dolls. Children would enjoy the stories and then act them out using the dolls. Magazines such as Ladies Home Journal, Pictorial Review, and Good Housekeeping created beloved characters that became popular throughout the early 1900s.
Kewpie
Cartoonist with the Ladies Home Companion Rose O’Neill had a dream one night that spawned a popular trend in the “Kewpie” doll. The name is derived from Cupid and resembles a darling pixie with a cherub face. Besides a comic strip and physical toys, the Kewpie Kutout also became a paper doll within the pages of the magazine where Rose worked.

Just as the Europeans had done in the 1800s, America picked up the advertising trend of using paper dolls in magazines to creatively hock their wares. Lyon's coffee, Pillsbury flour, Baker's chocolate, Singer sewing machines, Clark's threads, and Hood's sarsaparilla utilized the paper doll in the early 20th century. From 1930 to mid-century, the practice continued with such goods as nail polish, underwear, Springmaid fabrics, Ford cars, the soaps Fels Naphtha and Swan, Carter's clothing for children, and many more.
In the 1940s-1950s, comic books got into the act. Early comics were full of adventure and appealed to boys, but with the popularity of paper dolls, publishers saw an untapped market. Storylines were created to accommodate cutouts with decidedly feminine plots. Introduced in 1945 was Patsy Walker, the Patsy and Hedy series in Atlas Comics, as well as, the Millie the Model series which ran to 1973. A Date with Judy came out in National Periodical Publications beginning in 1947 and ran to 1960. And so cut-out paper dolls continued throughout the 20th century with D.C. Comics, Fawcett, and Archie Comics.
Queen Holden designs
Queen Holden is considered the greatest of all time (or GOAT as the kids say today) in the field of paper doll artistry. She enjoyed the heyday years, also considered the “Golden Age of Paper Dolls” spanning 1930 to 1950. She started with Whitman Publishing, drawing children and families, along with the popular movie stars of the time, including Judy Garland. Some argue that her fashion dolls were the inspiration for Barbie who came along mid-century.

Having been born at the end of said Golden Age, I remember playing with paper dolls only a little, but by the ‘60s, Colorforms had replaced the paper with vinyl. My favorite was the weather-themed one, where I could dress the child in the appropriate clothing for each of the seasons. And of course, my Barbie couldn’t be matched for keeping up with the fashion trends. Now, all of this has probably been replaced by an app on a tablet. It’s a shame that those simpler times are gone. But should we lose our electricity for a while, we need only to draw a doll on paper and create our own fun.



A TIME-SLIP NOVEL

A secret. A key. Much was buried on the Titanic, but now it's time for resurrection.


Follow two intertwining stories a century apart. 1912 - Matriarch Olive Stanford protects a secret after boarding the Titanic that must go to her grave. 2012 - Portland real estate agent Ember Keaton-Jones receives the key that will unlock the mystery of her past... and her distrusting heart.
To buy: Amazon


Kathleen E. Kovach is a Christian romance author published traditionally through Barbour Publishing, Inc. as well as indie. Kathleen and her husband, Jim, raised two sons while living the nomadic lifestyle for over twenty years in the Air Force. Now planted in northeast Colorado, she's a grandmother and a great-grandmother—though much too young for either. Kathleen has been a longstanding member of American Christian Fiction Writers. An award-winning author, she presents spiritual truths with a giggle, proving herself as one of God's peculiar people.




Wednesday, December 11, 2019

Grandma Moses - From Farm Girl to Famous Artist

By Kathy Kovach

Grandma Moses signature*
Before Pinterest was even a thing, my parents came up with a unique idea for a large picture over the sofa. Mom found some material at the local fabric store that depicted a snowy country rural scene with houses and barns, leafless trees, horses, wooden fences, and a flurry of activity. These comprise the work entitled, Early Springtime on the Farm, painted by Grandma Moses in 1945.

I remember my parents laying the fabric over an old kitchen table we kept downstairs for craft projects and gift wrapping. Over the next few days, perhaps even a month, my family would take glitter and glue it on parts of the print. Red glitter for a red jacket, green glitter for a tree, white for snow, etc. They’d work on it in passing, letting the glue dry in between dabs. What emerged was a unique piece of art that was then matted and encased in a glassed-in wooden frame. This 24 x 46 masterpiece hung in our living room for a couple of decades. It now hangs over my sofa.

Anna Mary Robertson 1860s



Anna Mary Robertson was born in Greenwich, New York on September 7, 1860. As one of ten children on her parents’ farm, she left home at age twelve to work for a neighbor. She eventually met and married Thomas Moses in 1887 and the two settled into rural life in Virginia’s Shenandoah Valley. There, they raised five children, but lost another five in infancy.

With two of her children
Estimate between 1890 and 1910

The couple moved their family to a farm in Eagle Bridge, New York, but it wouldn’t be until thirteen years later, at the age of fifty-eight, that she would attempt her first painting on a fireboard in her home. Even then, she never pursued art as a career until much later after her beloved husband died. To help with her grief, she would often lose herself in her art, painting scenes of the country living she remembered on the farm. From snowy Christmas scenes to green and earthy summer depictions, she declared her desire to paint “so people will know how we used to live.”
1918 Fireboard

By the mid-1930s, when she was in her seventies, she had become fully invested in her art. Some of her pieces hung in a local store where an art collector, Louis J. Caldor, liked them and bought them all. From there, her paintings went on to be displayed at the Museum of Art in New York and became a prominent feature at Gimbel’s Department Store.
Gimbel's Department Store
A decade later, her paintings were printed on greeting cards, where even more people could appreciate and come to love the self-taught artist. At the age of 89, she won the Women’s National Press Club award for her artistic achievement which she received from President Harry Truman. By the end of her career, she had created approximately 1500 works of art.
Grandma Moses stamp 1969
On her 100th birthday, New York governor Nelson Rockefeller declared September 7, 1960 as Grandma Moses Day. She passed away after her 101st birthday.


From farm girl to farm wife to treasured artist, Grandma Moses went on to become a world-renowned name in American folklore.

*All images attributed to Wikimedia Commons unless otherwise noted.





MissAdventure Brides Romance Collection
Seven daring damsels don’t let the norms of their eras hold them back. Along the way these women attract the attention of men who admire their bravery and determination, but will they let love grow out of the adventures? Includes:
"Riders of the Painted Star" by Kathleen E. Kovach
1936 Arizona
Zadie Fitzpatrick, an artist from New York, is commissioned to go on location in Arizona to paint illustrations for an author of western novels and falls for the male model.

Kathleen E. Kovach is a Christian romance author published traditionally through Barbour Publishing, Inc. as well as indie. Kathleen and her husband Jim raised two sons while living the nomadic lifestyle for over twenty years in the Air Force. Now planted in northeast Colorado she's a grandmother, though much too young for that. Kathleen is a longstanding member of American Christian Fiction Writers. An award-winning author, she presents spiritual truths with a giggle, proving herself as one of God's peculiar people.