Regency Costume Revisited (Part Two) And Ebook Giveaway

by Linore Rose Burkard

Note: Don't forget to click through to enter the giveaway at the end of the post!

In Part One of this series, ("Undress, Half-Dress, Full Dress, Ball,") we discussed the categories of costume which were part and parcel of a fashionable regency belle's wardrobe. This month we focus on Ball Dress exclusively.

Resting between dances, perhaps?

While many sorts of entertainments took place during the whirl of a Regency London Season, attending balls was quite possibly the apex of excitement for many. Assemblies were balls open to the public, often for a nominal fee. Almacks, that most exclusive venue, also required ball dress, for what was it but a tightly controlled ball, replete with refreshments, dancing, and opportunities for conversation?

(I hope to examine Almack's in a future column, with all its rules and strictures. It was a dominion ruled by a handful of society queens called "patronesses," and admittance was highly coveted--despite it having the reputation of being notoriously dull. Special "vouchers"--granted solely by the patronesses--were required for admittance.)

Otherwise, most balls were private affairs, requiring mere, ahem,  invitations. Procuring these invitations was every chaperon's and debutante's challenge. 

"Invitations," exclaims Mrs. Bentley, in Before the Season Ends, "are everything. Without invitations, we are nothing!"

The following excerpt (also from Before the Season Ends) shows how Mrs. Bentley, chaperon to her niece, debutante Ariana Forsythe, prepares the girl for an exclusive ball. Due to an amazing circumstance, Ariana will appear on the arm of the Paragon, Mr. Mornay, the handsome, fabulously wealthy, most sought-after gentleman in London.

...Mrs. Bentley sought out her niece to direct her remaining hours in preparations for the ball that night. It seemed outlandish, but she insisted Ariana soak in a hot tub, and then quickly into and out of a cold one. She called this "polishing the skin." Harrietta (the lady's maid) then took over, trimming the nails on her feet and hands, and supplying her with an enormous array of vials and lotions, perfumes and powders and other solutions. Some were for her face and neck, others for her hands, elbows, and even her feet!

Miss Forsythe, from, Before the Season Ends

Ariana was allowed a small meal, followed by tea. Then, to her surprise, Mrs. Bentley announced it was time to "earnestly prepare for the evening." Ariana had to wonder what they had been doing all along, if not earnestly preparing for the evening!

They fussed over her chemise, her stockings, her gown, her hair. By the time the two women had finished pulling, pinching, poking and pressing, Ariana felt more than ready to face the Paragon. Her hair was coifed elegantly atop her head, with curled tendrils about her face. (Ariana wished she had jet black hair, but Mama always said her lighter tresses matched the light in her eyes, and indeed, this night her words rang true. Ariana was a picture of sparkling, beauteous youth.)

Still, Mrs. Bentley insisted upon loaning her a matching set of jewels consisting of a necklace, earrings, brooch and bracelet. And, as a last dignifying element, a tiara: a delicate, lightly embellished headpiece, which was placed gingerly over her head and fastened into place with pins.

When at last she stood quietly resplendent in a pale pink gown of satin and net, with elegant white gloves that reached past her elbows and pale pink satin slippers upon her feet, even Mrs. Bentley had to smile.

"You do me credit, my gel," she said, almost affectionately. "Even Mornay will be smitten, I daresay, eh, Harrietta?"

Oh, yes, ma'am!" breathed Harrietta, fully as pleased with the way Ariana had turned out as her mistress.

"So tall and strikin' as miss is, just like a princess!"

And what were the results of such arduous preparations? Enjoy the following illustrations as examples of a Regency belle in ball attire. Note that gentlemen also had to wear Full Dress, which necessitated breeches (rather than pantaloons).

Waltz, 1817. From, La Belle Assemblee

Ballroom, 1820

A Victorian artist captures the Regency ball

A Russian Grand Ball

"The First Quadrille at Almack's" 

"Waltzers"

"The Five Positions of Dancing"

Gentleman in Full Dress

Did you enjoy this peek at Regency Ball Fashions? Jane Austen lovers often hold a Regency-style ball at the end of their annual galas. Look up JASNA.org for info. on this year's event.  

Linore Rose Burkard is best known for historical romance novels with Harvest House Publishers, and now writes YA/Suspense as L.R.Burkard. Linore teaches workshops for writers, is a mother of five, and still homeschools her youngest daughter—preferably with coffee in one hand,  and an iPad in the other.

GIVEAWAY GOING ON! Enter to win a giveaway of one of Linore's newest books, PULSE (YA/Apocalyptic Suspense) right now at Amazon.com. Entries accepted until July 23rd, but time is running out. Enter now!  Also--please tell a friend. SIX winners will be chosen! 

                              

Undress, Half-Dress, Full-Dress, Ball: Making Sense of Regency Costume

By Linore Rose Burkard


We can only take a cursory look in a single blog post, but let us understand from the start that the term "Undress" did not signify being unclothed.
Likewise, "Half Dress" did not mean one was literally half-dressed. The terms are categorical, not literal, referring more to function than to how covered the body actually was.

In which case you may well ask, What does it all mean?

It means there had to be many gowns in a genteel Regency lady's wardrobe--regardless of the size of
her fortune. Indeed, to be active in society the necessity of owning a large wardrobe could hardly
be avoided. In a small town such as Longbourne (where Austen's Bennett's lived) the categories no doubt overlapped mightily. But for, say, a debutante in London (the focus of this article) a lady might well need to change from morning dress, to walking-out, to afternoon, to full dress--all in one day!

1820 Morning Dress

Why were so many categories necessary? Because there were different social purposes for each one.
Having said that, one could argue there are only two main categories of clothing for the Regency belle: Undress and Full Dress. In this model of categorization, Undress includes all of the gowns worn during the day, or, what is otherwise called Half Dress. (Which is to say, the majority of clothing, not only for daytime, but perhaps including even informal evening dress. But NOT formal.)

Day gowns include any gown worn for the morning, walking out, shopping, riding, or making calls. Full Dress, on the other hand, was for the evening Ball, very fancy Dinner, Opera or
appearance at Court. (The Royal Court, not a court of law. Court Dress was actually its own category.)

Walking Dress

The chief difference between Undress and Full was a lower bodice for the evening and short sleeves rather than long, but in practice full dress implied a whole ensemble; A short-sleeved empire-waisted, low-necked gown, (generally of muslin but by no means restricted to such) and including evening gloves, a fancy headdress of some sort, a few jewels, a fan, perhaps a reticule, and satin slippers. Other accessories could also be worn or on hand: feathers, boas, shawls, scarves and fans, to name the most common.

The following gowns constituted Undress.

Walking 1816

Morning dress

Walking-out, or Promenade dress, or

Carriage dress

Afternoon dress

Riding dress (Riding Habit)

In theory, you were in Undress in the morning, Half-dress in the afternoon, and Full Dress for evening events. (Such as, a dinner or soiree, opera, ballet, theatre, concert, or ball). As you'll see in the brief smattering of illustrations accompanying this article, however, overlapping is inherent in some categories, such as Walking Out and Carriage Dress.  (Think: Carriage, as in one's bearing, or gait.)

Carriage Dress 

Court Dress was also considered Full Dress, though it had extravagant requirements that no other  occasion called for. (That's another article in itself!)

According to the Georgian Index, however, (a
wonderful online resource for Regency fans), Dinner Dress and Opera Dress fall into the category of "Half Dress." I don't see why. 
Only "Evening, Ball and Court Dresses" passed as Full Dress. Is your head swimming, yet? If not,
consider that the Riding Habit might not fit into any of the above, but simply constitute a category in its own right!


                    Below: left: 1811 Ball Dress            Riding Habit with whip

Ah, so many dresses! No wonder the all-important Regency "season" was a roller-coaster ride of entertainments and diversions, balls, soirees, concerts, theatre, ballet, Almack's (if you were lucky) and other amusements. A packed social calendar was every debutatante's expectation and hope. It gave her many necessary opportunities to enter the "marriage mart." And why acquire so many gowns if one is not to use them? Being seen in proper attire ("in the mode") was paramount to success in the uppity social world of the regency.

Pity the poor chit who couldn't follow protocol or dress for the occasion. Such was the challenge for families with more pretensions than means, who wished to launch a Regency buck or belle into the swirl of the fashionable elite. Costume, in fact, was a large winnowing tool--if you couldn't afford to dress right, it automatically broadcast your lack of fortune--and that could be a certain death knell for marriage aspirations in the world of the ton.

Some rules were not hard and fast. Note the long sleeves on this evening gown. 

I hope you enjoyed this brief look at costume.

The Regency? There's never been a time quite like it!

PS:(I didn't forget about Headdress. Watch for a future article here soon!)

Adapted from an article originally published by Linore Rose Burkard at Article Source: http://EzineArticles.com/164049

Linore Rose Burkard  is best known for her Inspirational Regency Romance Series, which whisks readers back in time to early 19th century England. Authenticity and heart-warming adventure are par for the course in her regencies. Fans of romance in the tradition of Austen and Heyer (such as Pride & Prejudice, Cotillion, and even My Fair Lady), enjoy meeting Linore's feisty heroines and dashing heroes.



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