Showing posts with label medieval times. Show all posts
Showing posts with label medieval times. Show all posts

Wednesday, November 20, 2019

Where Did Soap Come From?



We take beautiful handmade and even manufactured store-bought soap, in all it’s shapes and fragrances, for granted. But where did it come from?


Although scholars believe that soap was first made in ancient Mesopotamia, I like to think that perhaps even when Adam and Eve offered sacrifices to God and put out the fire after, that water poured over the ashes mixed with fat and they somehow noticed what was left was a good cleaning substance. Who knows? 


Pears' Soap ad, 1886, {PD}
Wikimedia Commons
There is evidence from 2500 BC that soap was made in ancient Babylonia. Vessels containing the substance, along with a recipe were found in that area. But legend has it that soap came from ancient Rome when sacrifices were offered at the top of Mt. Sapo and the ashes and fat from the pagan sacrifices flowed down the mountain and into the Tiber River where women washed their clothes. The women found that where the substances mixed washing their clothes became easier and the idea of soap was born and named Sapia after Mt. Sapo. 

The ancient Egyptians also used a soap-like substance for bathing on a regular basis, while the Romans only used it to treat skin conditions and apparently—laundry. 



Ivory Soap wrapper, circa 1800s, [cc]
Wikimedia Commons
Sadly, once the Roman Empire fell, the use of soap regularly somehow fell out of favor. For hundreds of years, people of the European continent lived in filth and endured plagues. Then, soap making began in earnest in England in the 16th century. Queen Elizabeth I is said to have bathed every four weeks whether she needed it or not. Unfortunately, soap making was heavily taxed and manufactured soap was available only to the well-to-do. It wasn't until the mid-nineteenth century that this tax was lifted.

In the 7th century they made soap from beech tree ashes and tallow from goats. The French began creating soap using olive oil as the fat portion. During the reign of King Louis the XIV, in 1688, the recipe of this "Marseilles" soap was officially recognized. Fragrances were later added and these soaps were enjoyed by the royals. 


Castile Soap


Then, in the late 18th century, the French chemist, Nicolas Leblanc figured out how to make an alkali from common salt, called soda ash. Since alkalis were important to the manufacturing of not only soap, but many other items, this chemical process was a critical discovery. 



1922 soap ad, {PD} Wikimedia Commons

In the 19th century United States, rural homemakers still utilized a process used by Colonial settlers. Leeching lye from ash water and determining the correct strength was a long process for the soap-maker. Ashes had to be collected for months from wood fires. They were placed in a barrel on top of a filter made from natural materials and rain water was poured over the ashes and the liquid was drained from a hole in the barrel and collected. Lye was considered the right strength when a feather placed in it began to dissolve! When the hogs were butchered, leftover fat was used to combine with the lye to make soap.

During that century milder soaps were made and a clear division began between harsher laundry soaps and bathing soaps. And Louis Pasteur suggested that washing with soap with prevent the spread of germs.



Marseilles soap
CC BY-SA 3.0, https://commons.wikimedia.or
During the Great War, soap was in high demand for cleaning wounds and caring for victims of the war, but the natural supplies weren’t available en masse. This led to German scientists creating the first synthetic ingredients to use in creating soap. After World War I and until the 1930s, soap was manufactured in a hot process called kettle boiling in huge vats. By the 1930s, synthetic ingredients were used to create laundry detergent by the Tide company. 

Much of today’s soap comes from synthetic ingredients, though they may contain added natural ingredients such as aloe or vitamin E oil. They are often made through a cold process method developed by Proctor and Gamble rather than the hot method. Thankfully there is a current resurgence in natural, handmade soaps that can often be found in the health food store or your local farmer’s market. 



I only scratched a little lather off the the topic of the history of soap, but now I have a better idea of the intensive process and work needed to make this substance that helps us stay clean. Next time I wash my hands or take a shower I can be thankful for the wonderful variety of soaps available so readily to me today, especially with having sensitive skin!

Kathleen Rouser is the award-winning author of Rumors and Promises, her first novel about the people of fictional Stone Creek, Michigan, and its sequel, Secrets and Wishes. She is a longtime member in good standing of American Christian Fiction Writers. Kathleen has loved making up stories since she was a little girl and wanted to be a writer before she could even read. She longs to create characters who resonate with readers and realize the need for a transforming Savior in their everyday lives. She lives in Michigan with her hero and husband of 30-some years. Connect with Kathleen on her website at kathleenrouser.com, on Facebook at https://www.facebook.com/kathleenerouser/, and on Twitter @KathleenRouser.


Friday, October 19, 2018

Birds that Symbolized Christianity in the Middle Ages

Birds represented the soul in medieval thought, capable of winging above worldly cares and possessions to reach God. The concept isn't hard to grasp. It ia, in fact, unforgettable. Individual birds took on special meanings in the Middle Ages, just as they do today. Some of the most notable are listed below and may surprise you.
This article is brought to you by Janalyn Voigt

Birds that Symbolized Christianity in the Middle Ages

Crane

When the lead crane tired during flight, that bird would drop to the rear of the flock, to be replaced by another. The first thus became last, an example of humility. Christians also looked to cranes for a reminder of vigilance. This connection began with Pliny the Elder, a Roman naturalist, who taught that a single crane clutching a stone in its claw kept watch over the flock at night. If the feathered sentry began to fall asleep, the stone would fall and wake the crane. In medieval heraldry, a crane holding a stone became the very image of watchfulness.  


Dove

Found in the pages of the Bible, the dove represented the Holy Spirit, peace and purity in the Middle Ages as it does today.


Eagle

It was once believed that eagles flew near the sun, then plunged into water to renew their plumage and restore their youth. This idea was based on Psalm 103:5: “…so that your youth is renewed like the eagle's.” (World English Bible) This association made the eagle a symbol of resurrection, new life, and Christ Himself.


Falcon

The falcon had two interpretations in the Middle Ages. As a persistent hunter, the wild falcon brought to mind evil thoughts and actions. However, the domesticated falcon represented the gentile converted to Christianity. This duality makes clear the peril of those separated from God and the mercy of God’s grace in offering salvation to all mankind.


Goldfinch

Because of a fondness for thistles thorns, the tiny goldfinch became a powerful symbol of the sacrifice of Jesus Christ in dying to save lost sinners.
  

Peacock

In ancient times, people suggested that peacock flesh would not decay. The birds were thought to be immortal. Peacocks shed and regrow their tail feathers, a feat that reminded people of the death and resurrection of Christ.


Pelican

In the Middle Ages, pelicans were considered attentive to their young. A pelican who brought no food to the nest might even wound itself so its young could dine upon their parent’s blood. The pelican thus symbolized the passion of Christ, who poured out his blood for a starving world.

Deutsch: Friedrich Justin Bertuch, Bilderbuch für Kinder, 1790-1830 (Eigenbesitz), Fabelwesen.by Bertuch-fabelwesen.JPG: Friedrich Johann Justin Bertuch (1747-1822)derivative work: Tsaag Valren (Bertuch-fabelwesen.JPG) [Public domain], via Wikimedia Commons

Phoenix

Introduced into Christianity possibly during the first century, the Phoenix was a mythical bird of surpassing beauty from the Egyptian dessert. This bird was said to burn itself on a funeral pyre, only to rise from its ashes, restored to youth and ready to live out another long lifespan. Popular in medieval art, the phoenix represented the death and resurrection of Christ.  

Note from the Author

Maybe it’s because I write allegorical fiction, but symbolism fascinates me. The creatures and objects chosen to represent Christian spiritual concepts, the Christian Church, and in many cases, Christ Himself, reveal a lot about medieval culture. Needless to say, I’m hooked on this study. Every third month I'll offer a new post on this topic.


About Janalyn Voigt


Janalyn Voigt offers readers a unique blend of adventure, romance, suspense, and whimsy. She creates breathtaking fictional worlds for readers. Known for her vivid writing, this multi-faceted author writes in the western historical romance, medieval epic fantasy, and romantic suspense genres.

Janalyn is represented by Wordserve Literary Agency. Her memberships include ACFW and NCWA. When she's not writing, she loves to garden and explore the great outdoors with her family.

Saturday, February 8, 2014

Courtly Love in Medieval Times

Courtly Love in Medieval Times
Courtly Love in Medieval Times

The idealized image of a lady favoring a knight who fought in a tournament for her is what many of us understand as courtly love in medieval times. However, the pursuit of romantic love in the middle ages wasn't such a romanticized ideal. In medieval times, most marriages were arranged or entered into for practical purposes rather than for love.

The concept of chaste and unrequited love, even for those who were married to others, spread like wildfire across medieval Europe and was in practice from the 1300's through the 1500's. Andreas Cappelanus, writing in the 12th-Century, described love as "a certain inborn suffering derived from the sight of and excessive meditation upon the beauty of the opposite sex." With this mindset, besotted poets were said to moan like moon-struck calves.

Such a system, based on the flawed idea that man is basically good and can control his behavior, flew in the face of Biblical precepts about marital faithfulness. It led to all sorts of trouble. Most of us have heard the cautionary tale of Guinevere, King Arthur's wife, and Sir Launcelot, a knight of the round table, who engaged in a love affair that led to tragedy. Although a fictitious interpretation of the Arthurian legend, this story aligned to the reality of illicit court romances engaged in during the Middle Ages. 

The arranged marriages of the middle ages seem odd to us now but explains how the cult of courtly love took hold.

Wayfarer, Tales of Faeraven


In my medieval epic fantasy novel, Wayfarer, which is based on 13th-Century Europe. the high king of Faeraven was expected to marry a princess from a neighboring kingdom by his parents and hers. At first the idea repels Elcon, but he soon finds himself attracted to this chosen bride and promises to court her when he returns from a peace-keeping campaign. His stirrings of desire for a princess of a hostile nation test his honor and threaten to tear apart the very fabric of Elderland.

Escape into creative worlds of fiction with Janalyn Voigt

Her unique blend of adventure, romance, suspense, and fantasy creates worlds of beauty and danger for readers. Tales of Faeraven, her epic fantasy series beginning with DawnSinger, carries the reader into a land only imagined in dreams.

Janalyn is represented by Sarah Joy Freese of Wordserve Literary. Her memberships include ACFW and NCWA.

When she's not writing, Janalyn loves to discover worlds of adventure in the great outdoors.

Author Site for Janalyn Voigt: (author journals, travel journals, guest journals, and book news)

Site for Writers: Live Write Breathe (teaching articles plus a free How to Edit PDF)

Tuesday, January 7, 2014

My Hidden Writing Office (And What Inspired It)

In Medieval times, secret passages served as hidden supply routes for use during sieges, gave access to underground water supplies, or enabled hasty escapes in a crisis. Of course a secret passage might prove a weakness, as when in 1330 an armed group of attackers entered Nottingham castle through a secret tunnel to arrest Roger Mortimer, 1st Earl of March, and free his captive, King Edward III.

I confess to a childish love of secret passages and hidden chambers. I included tunnels beneath the high hold of Faeraven in DawnSinger and Wayfarer, the first two books of my Tales of Faeraven medieval fantasy trilogy.  

My Hidden Writing Office in a Closet

But writing about such things wasn’t enough for me, apparently. I also moved my office into a three-by-seven closet under the stairs in my home. If that sounds claustrophic, let me assure you, it’s not. My closet office must have been used as a children’s playroom by a previous owner because the walls are wallpapered in vintage scenes of children playing, and there’s a door with a colored-glass window beside my chair. There’s also a huge keyhole beneath the antique doorknob and gaps at the top and bottom of the door that ensure adequate ventilation.  

When I posted about my office-in-a closet hits to my website spiked, and it wound up being featured in the Seattle Times. Apparently, a lot of other people share my yearning for a hidden retreat in which to work, either that or they want a glimpse of the eccentric writer who would inhabit such a work space.

What I find amusing is that I’ve had to move over a little and share my hideaway once in a while with other family members, who think it’s pretty cool. I don't mind. It's awfully quiet when they're in the closet, and when it’s my turn, my family interrupts me a lot less.  


Wayfarer, Tales of Faeraven 2 by Janalyn Voigt

Wayfarer, Tales of Faeraven 2 

When an untried youth ascends to the high throne of Faeraven, his mistakes tear kingdoms apart and allow just one chance at redemption. He must humble himself before the one person he banished.

Purchase Wayfarer
DawnSinger, Tales of Faeraven 1

DawnSinger, Tales of Faeraven 1

A headstrong young princess and the guardian sworn to protect her fly on winged horses to the Gate of Life above the Well of Light in a desperate bid to release the DawnKing, and the salvation he offers, into a divided land. Will they each learn in time that sometimes victory comes only through surrender?
Purchase DawnSinger


About Janalyn Voigt

When Janalyn was a child, her father read classic literature to her at bedtime, instilling in her a love of story. With a teacher's encouragement, she decided to become a writer at the tender age of twelve.

Beginning with DawnSinger, Janalyn's medieval epic fantasy series, Tales of Faeraven, carries the reader into a land only imagined in dreams. Janalyn is also working on a romantic suspense novel set in a castle. She is represented by Sarah Joy Freese of Wordserve Literary.
When Janalyn is not writing, she loves to find adventures in the great outdoors.

Janalyn posts interesting details from her research, travel journals, author journals, and updates about her books at her Creative Worlds website.