Showing posts with label musical theater. Show all posts
Showing posts with label musical theater. Show all posts

Thursday, February 13, 2025

Origins of the Great White Way


An aerial photograph of New York City at night shows a glowing strip between dark outlines of light-speckled skyscrapers. Even from outer space, the lights of Broadway are identifiable among the brilliance of the metropolitan area.

Yet the area became known as the “Great White Way” the year before the Wright Brothers’ first succeeded at flight.
Today, to be considered part of “Broadway,” a theater must contain 500 or more seats. There are currently 41 such houses in the Theater District, all clustered around Times Square on or near Broadway between 41st and 53rd Streets.

The origins of New York City’s reputation for theater stem to the mid-18th century with the opening of the city’s first known drama venue. Located in lower Manhattan and given the unimaginative name of “The Theatre,” it seated only 280.

Other theaters followed, such as the Park Theatre in 1798, the Bowery Theatre in 1826, and the Astor Place Theatre in 1847.

The only known photo of Niblo's Garden
(Photo: New York Public Library Digital Collections) 
During the 1820s, entertainment centers known as “pleasure gardens” developed. One of the most popular among all social classes was Niblo’s Garden. Beginning as a fenced, open-air beer garden, the venue expanded until it contained a hotel, a saloon, gaslit gravel paths through lush foliage, and an elaborate 3,000-seat theater. “The Black Crook,” considered by many to be the first true Broadway musical, opened there in 1866. The nightly production lasted five and a half hours, and the show became a runaway hit.

The interiors of these early theaters were lit with candles, and later with smelly, smoky, and dangerous gas lamps, resulting in some theaters burning and being rebuilt more than once.

The Olympia Theatre, owned by the grandfather
of famed lyricist Oscar Hammerstein, was the first
Broadway theater to use electric lighting inside and out.
The theater was part of the Olympia entertainment
complex that occupied a full city block.
(Photo: Museum of the City of New York)

In 1895, Oscar Hammerstein (grandfather of the well-known lyricist) opened the Olympia Theatre on Times Square, which was then called Longacre Square. It was part of a large complex that also included a roof garden, billiard room, concert hall, and music hall.

Although initial streetlights on Broadway, installed between Union Square and Madison Square by 1880, produced light via an electric arc, Hammerstein made history by using electric lighting both inside and outside the Olympia.

Electric lights along Broadway earned the Theater District
the nickname, the "Great White Way" in 1902
(Photo: Keystone View Company/Library of Congress)

As technology advanced, modern street lamps lit the area. Following the lead of the Olympia, other theaters installed brilliant electrical signs to promote their shows. “Spectaculars”—large, complex light displays with flashing or even animated designs—proliferated.

In 1902, the New York Morning Telegraph published an article about the theater district by columnist Shep Friedman with the headline, “Found on the Great White Way.” Two theories exist on where Friedman came up with the term: perhaps he borrowed from a London theater district, called the “White Way” for its well-lit streets, while another theory suggests that it was a biblical reference to the “way of the righteous,” symbolizing the virtuous path of entertainment and culture that Broadway represented at the time.

Regardless, the nickname stuck. Since then, the strip of light known as Broadway has been dark only during the two World Wars, when all the signs were blacked out.

Sources:

Why Broadway is Called the Great White Way | Backstage

History of New York Streets: Untapped New York

Broadway: A history of the Great White Way - Dance Informa Magazine

Why Is Broadway Called the Great White Way – Repeat Replay

The Bowery Boys: New York City History

See also: “Miss Minnette Goes to Broadway and Back” (Heroes, Heroines, and History, January 13, 2025)
 Multi-award-winning author Marie Wells Coutu finds beauty in surprising places, like undiscovered treasures, old houses, and gnarly trees. All three books in her Mended Vessels series, contemporary stories based on the lives of biblical women, have won awards in multiple contests. She is currently working on historical romances set in her native western Kentucky in the 1930s and ‘40s. An unpublished novel, Shifting Currents, placed second in the inspirational category of the nationally recognized Maggie Awards. Learn more at www.MarieWellsCoutu.com.


Her historical short story, “All That Glistens,” is loosely based on a woman from Star Lime Works, Kentucky, who went to Broadway. It was included in the 2023 Saturday Evening Post Great American Fiction collection and is now available free when you sign up for Marie's newsletter here. In her newsletter, she shares about her writing life, historical tidbits, recommended books, and sometimes recipes.

Monday, November 5, 2018

History of American Musical Theater


At our school, a cast of excited middle and high school students are in full swing of rehearsals for this year’s musical, a junior version of the classic Singin’ in the Rain. I have always loved musical theater, and my sister is actually directing this year’s production, so I thought it would be fun to take a peek at the historical development of this art form.

Early Years

Lithographic poster for early American production of H.M.S. Pinafore,
By A.S. Seer's Print - Library of Congress, Public Domain, Wikimedia Commons
While the use of music and movement in theater dates back to ancient Greek plays, what we currently view as musical theater had its earliest glimmerings in the 18th century, when English “ballad operas” became popular in America. Most musical stage shows in the 19th century were some combination of vaudeville, burlesque, or minstrel shows. However, in the late 1800s, British composers Gilbert and Sullivan elevated the art form to new artistic and family-friendly heights with their highly successful comic operettas like The Mikado, Pirates of Penzance, and HMS Pinafore, which remain popular even today.



Original Broadway cast of Show Boat, White Studio, photographer -
Theatre Magazine, Vol. 49, No. 2, February 1928 (p. 58), Public Domain


1900s to 1930s

The early twentieth century saw new developments in uniquely American musical theater, especially through the works of George M. Cohan. Many musicals of the 1910s through the 30s were heavy on elaborate staging and dance routines and light on plot, but in 1927, the musical Show Boat, by Jerome Kern and Oscar Hammerstein II, formed a turning point. For the first time, the songs served the plot of the story rather than the other way around, and deep themes such as racial injustice and marital trouble were explored through thoughtfully developed characters. Light, escapist musicals rose to popularity again through the Great Depression, and the advent of “talking pictures” affected live theater attendance also, but Show Boat had laid the groundwork for big advancements in American musicals.

The Golden Age: 1940s – 1960s

From the 1943-44 production of Oklahoma! Public Domain.

In March 1943, Rodgers and Hammerstein’s Oklahoma! opened on Broadway and changed musical theater forever. For the first time, music, dance, character, and story were fully integrated into a seamless whole. The curtain lifted not on scantily clad chorus girls but rather on an older woman churning butter and a cowboy singing an early morning ballad. Like Show Boat, Oklahoma! dealt with some heavier themes, including pornography addiction and attempted murder, and the choreography by Agnes de Mille broke significant ground by using dance to express emotion and tell the story.

Yul Brynner and Gertrude Lawrence in The King and I
www.oreieeu.com.br, Public Domain.



Oklahoma! was followed by multiple Rodgers and Hammerstein hits using the same principles of strong storytelling, developed characters, integrated dance and song, and thoughtful social themes: The King and I, Carousel, South Pacific, and most famous of all, The Sound of Music. All these shows were made into successful motion pictures and continue to enjoy stage revivals today, from community theater to Broadway.

Other composers joined this “Golden Age” as well, with such beloved and enduring musicals as Lerner and Lowe’s My Fair Lady and Bock, Harnick, and Stein’s Fiddler on the Roof. In 1957, Leonard Bernstein’s West Side Story bravely took on racial tension and gang violence in a modern retelling of Romeo and Juliet and also brought new and innovative composer Stephen Sondheim on the scene.

Modern Musicals

Les Miserables, by Otterbein University Theatre & Dance, USA, CC BY-SA 2.0
From the late 1960s on, “rock musicals” such as Godspell and Hair took the stage, though more traditional forms saw some decline. In the 1980s, however, musical theater saw a new revival through the soaring popularity of such European “mega-musicals” as Les Misérables and Phantom of the Opera. Disney also found grand success through adapting several animated films for the Broadway and London stage: Beauty and the Beast, Aladdin, and most triumphant of all, The Lion King.

Lin Manuel Miranda as Alexander Hamilton in the musical Hamilton.
Photo by Steve Jurvetson
https://www.flickr.com/photos/jurvetson/25945250053/, CC BY 2.0
 
In 2015, the new musical Hamilton debuted on Broadway and broke ground with its innovative transference of contemporary rap and the American Revolution into musical theater, generating new waves of interest among young people in both musicals and American history.

While musicals may not be as popular as they once were, relevant new shows like the ethnically diverse Hamilton and the socially conscious Dear Evan Hansen, which focuses on bullying, indicate musical theater does seem to be on the rise. The growing number of new movie musicals speaks to this, such as the hugely successful films La La Land and The Greatest Showman.


Across the years, we continue to respond to these stories told in song and dance that capture our human hearts in a way few mediums can.


What about you? Are there any classic old musicals that you love? Which piece of musical theater history did you find most interesting? Please comment and share!



Kiersti Giron holds a life-long passion for history and historical fiction. She loves to write stories that show the intersection of past and present, explore relationships that bridge cultural divides, and probe the healing Jesus can bring out of brokenness. Kiersti has been published in several magazines, won the 2013 ACFW Genesis Award - Historical for her manuscript Beneath a Turquoise Sky, and is currently a 2018 Genesis Finalist. An English teacher and member of American Christian Fiction Writers, Kiersti loves learning and growing with other writers penning God's story into theirs, as well as blogging at www.kierstigiron.com. She lives in California with her wonderful husband, Anthony, and their two kitties.