by Tom Goodman
Comanche scouts atop inhospitable mesas?
How about a forest so immense that enormous pines towered overhead and little grew beneath their canopy but pine straw?
In her post-Civil War novel Chenneville, Paulette Jiles sends her protagonist through this country in pursuit of a murderer. (Every historical novelist hoping to hone our craft should read Paulette Jiles.) She writes:
The road was cut through heavy timber, and there was very little undergrowth. The pines were enormous. He rode through that pine forest that stretches from southeastern Missouri through Western Arkansas and Louisiana and East Texas, a primeval and uncut dark fabric grown up untouched since God made the hills. Beneath these giant trees were darknesses without end…. The giant trees reached up to 180 feet, trees that were 10 feet around and made reedy, hushing noises in the evening wind. The trees seemed to possess a huge indifferent intelligence that lay just beyond the reach of human knowledge.
The description is not far from the historical record—and a forest like that could not remain untouched for long.
By the late nineteenth century, lumbermen whose forests in Pennsylvania, Wisconsin, and Minnesota had been depleted were looking southward for new timber. They found an extraordinary supply in East Texas.
Mills appeared. Railroads followed. Settlements became boomtowns.
By 1907, Texas was the nation’s third-largest supplier of lumber, and lumber companies were the largest employers in the state.
But the timber barons had no reforestation plans. Their policy at the turn-of-the-century was “cut and get out.” In the second decade of the twentieth century, conservationist W. Goodrich Jones said:
“Like the buffaloes, the timber is going and going fast: what escapes the big mill is caught by the little mill, and what the little mill does not get, the tie cutters and rail splitters soon have chopped down … [until it looks like] shell-torn areas of France after the Great War."
Here’s a photo of what the forest looked like under such a policy:
In Chenneville, Paulette Jiles’ protagonist observed how sawmills “had begun to eat their way into the stands of massive pines with the villainous, aggressive noises of circle saws to reduce them to planks, siding, and railroad ties. The air was filled with drifting sawdust that caught the long bars of sunlight.”
Companies harvested the timber and moved on, with little thought of reforestation. The work was highly transient, and that rootlessness appears to have contributed to the region’s reputation for violence and lawlessness.
That history gave me one of the central images for my new novel.
One of my fictional characters is a lumber baron whose fortunes are collapsing under gambling debts. He treats the forest much as he treats the people around him: as something to be used up for his own benefit. He cuts the timber without concern for what will remain after he is gone, while using an illegal liquor operation to profit from the weaknesses of the people around him.
Into this grim setting rides twenty-eight-year-old Rick Burleson, who moves his young family to the timber boomtown of Groveton to lead his first church.
The lumber baron in my story is fictional, but not the pastor. He’s based on Jesse Lee, a young Methodist minister who faced down a violent bootlegging gang that was ruining his town. In response to threats against his life and family, he began carrying a pistol, even laying his Colt revolver on the pulpit as he preached.
He became known as the pistol-packing preacher.
Only a fraction of the original longleaf pine forest survives, but forestry practices changed during the twentieth century, and second-growth pine forests blanket East Texas once again. Groveton, the setting of my novel, still exists, too, its population down from about 5,500 during the timber boom to fewer than 1,000 today. But 120 years ago, it was a place of towering pines and screaming saw blades, lumber camps and transient workers, where men could make fortunes from what they cut down—and a young Methodist pastor found himself confronting another kind of exploitation in the town’s illegal saloons.
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A deadly train stunt. A pistol-packing preacher. A UFO crash in 1897. A town that outlawed dancing. In Ten Texas Tales, you'll find stories like this from turn-of-the-century Texas. I mine that seam of history for my novels and for anecdotes to put in my monthly newsletter. Each month, I’ll give you nuggets of history, recommended books and films, and behind-the-scenes looks at my novels.



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