Romance on a Toboggan

Toboggan Party, glass negative, ca 1910-1915. Source: Library of Congress Prints and Photographs Division Washington, D.C.

The social aspect of tobogganing with friends is an enjoyment that can be experienced on snow or in water. Today's post shows images of winter tobogganing, with water tobogganing images to follow at a later date.

In today's modern world the sport of tobogganing might be considered too childish for adults with hectic lives, but a century ago, it was used as a social event for all ages, and especially as a romantic pursuit at a time when chivalry, chaperones and decorum often stood between two interested parties. 

In Sketches from America published in 1870, John White states "...a toboggin is made to hold at least two persons, as in the practice of the sport these two persons are usually of different sexes..." He goes on to explain that the person who steers the toboggan is at the back and can choose the snowbank he wishes to end up in when he upsets the craft and tumbles into the snow with his seat mate of choice. How clever.

Tobogganing, Quebec, 1863. Credit: Library and Archives Canada, Acc. No. R9266-919 Peter Winkworth Collection of Canadiana

Tobogganing certainly was an event enjoyed by all levels of society, including Lady Dufferin, viceregal consort of the 1872-1878 Governor General of Canada, who held toboggan parties on the grounds of Rideau Hall. (For more on composite photography, see my post here.)

"The Toboggan Party", Rideau Hall. This illuminated composite photograph is from Lady Dufferin's personal album. c 1872-1875. Source: Credit: William James Topley/Library and Archives Canada/PA-008492

Around the same period, Outing: The Gentleman's Magazine of Sport, Travel and Outdoor Life, Vol IX Oct 1886-1887 states that, "At present every Canadian city has its toboggan clubs with their elaborately built and prepared slides." The article, Snow-shoe and Toboggan by Newell B. Woodworth, goes on to say that in November 1884, the Saratoga Toboggan Club in New York had the first designated slide in the United States, as opposed to untended natural hills and slopes. 

Saratoga Toboggan Club at their custom-built, members-only toboggan slide, ca 1884-1885. Courtesy of the Saratoga Springs Public Library

By 1886, the Saratoga club slide had been moved to the Glen Mitchell Hotel where it became the longest in the nation running with almost 2,000 feet of iced surface.

Boston, Mass. had an informal toboggan run in Franklin Park prior to 1904 when a large slide was created to provide the public with an alternative sport to ice skating.

Toboganning [sic] scene at Franklin Park, Boston, Mass. C1904 Panoramic. Source: Library of Congress Prints and Photographs Division Washington, D.C.

In Burlington, Vermont, the Charles H. Emerson & Co. manufactured wood products including his patented STAR toboggans, promoted as being, "The Best Flat Toboggans Made". 

[Advertisement for Star toboggans, showing people sledding in daylight] / Phoenix Litho. Co., Chicago. C1886. Source: Library of Congress Prints and Photographs Division Washington, D.C.

Near Wilmington, Delaware, the Winterthur Museum is a good place to look for snow images, including these next two showing the social aspects of tobogganing.

[Tobogganing for all ages, undated.] Courtesy, the Winterthur Library, Winterthur Archives

[Tobogganing by horse, undated.] Courtesy, the Winterthur Library, Winterthur Archives

Since I've shown you enough photos of the bottom of a toboggan slide, what about one from the top? Taken during the 1922 Ottawa Winter Carnival, the toboggan slide ran alongside the drained Rideau Canal locks and down to the Ottawa River. If not a participant, the best vantage point was on the stone terrace of the Chateau Laurier which was also the launch point of the slide. 

Rideau Canal Toboggan run, Ottawa Winter Carnival, 1922. Credit: Canadian National Railways/Library and Archives Canada

Tobogganing on an iced slide of this magnitude would be exhilarating, don't you think? 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anita Mae Draper's historical romances are written under the western skies of the Saskatchewan prairie where her love of research and genealogy yield fascinating truths that layer her stories with rich historical details. Anita's short story, Here We Come A-Wassailing, was a finalist for the Word Guild's 2015 Word Awards. Her novellas are included in Austen in Austin Volume 1, The American Heiress Brides Collection, andThe Secret Admirer Romance Collection. Readers can check out Anita's Pinterest boards for a visual idea of her stories to enrich their reading experience. Discover more at:
Website - www.anitamaedraper.com
Pinterest - www.pinterest.com/anitamaedraper/

Dr. Mary Edwards Walker--Fashion Rebel

Dr. Mary E Walker
wearing her Medal of Honor

Last month, I shared with you about the interesting woman, Dr. Mary E. Walker, who is the only woman to receive the U.S. Military’s highest award—the Medal of Honor. Well, there were other interesting details about her that I didn’t share, and I thought it would make another great post for this month.

Aside from being a female doctor at a time when such professions tended to be ruled by men, Dr. Mary Walker was also an abolitionist and a fighter for women’s rights. She fought for women’s suffrage, equal rights for women in divorce situations, the ability for women to keep their maiden names after marriage—and for women’s fashion reforms.

Many of us today tend to look at the Victorian era fashions with a bit of whimsy or romance. We see the big skirts, the bustles, the fancy dresses and think they were lovely styles. But for the women of that day, it was quite an ordeal to get dressed. To give you an idea of the layers a woman in the Victorian age would wear, here’s a rundown:

Stockings and Drawers

The “drawers” were a lightweight pair of pants, usually with a drawstring waist or sometimes a button closure and split down the middle “for convenience.”

Chemise

A lightweight, shapeless garment that hung from the shoulders. It had a drawstring neck and was usually sleeveless.

Corset

Many of us are familiar with the corset—the whale-boned garment that gave Victorian women (and some fashion-conscious men) their wasp-waisted shapes. These garments featured a busk closure at the front and were laced tightly at the back.

Corset Cover

A light over-garment meant to protect the corset from dirt, sweat, body oils, etc.

Under Petticoats

This is a very plain underskirt made of stiffened material. It had a drawstring at the waist and was meant to provide the fullness they desired under their outer dress. Women would wear up to six of these under petticoats unless they were wearing a…

Victorian Crinoline/Hoop Skirt

If a woman was wearing one of these—a stiff, cage-type contraption that created the very full silhouette found in Antebellum or Victorian era fashions—then only one under petticoat was needed.

Over Petticoat

The final undergarment layer, this petticoat would fit over the hoop or crinoline. The over petticoat was a more decorative skirt, often with elaborate embroidered hem.

Dress

Finally, we reach the lovely dress, which consisted of a jacket-style top, which buttoned down the front and a very full skirt to fit over the mounds of petticoats on the bottom half.

Bonnet and Gloves

The final piece to the ensemble was the mandatory bonnet and gloves, worn anytime a Victorian woman was out in public.

So with this snapshot of the typical nine layers of clothing a Victorian woman would wear, now think about trying to work in such an ensemble. The weight alone would be prohibitive, particularly when you consider most of the burden is tied around the waist. Another factor keeping women from working freely on household chores or other such things would be the constriction of the corset on the upper body. Corsets were often laced so tightly, women broke ribs, their internal organs shifted position, digestion was impeded, and they even made becoming “in the family way” more difficult. A third prohibition to such attire was the fact that the many layers of clothing dragged the ground, trapping dust and dirt, and as was discovered by Louis Pasteur in the 1860s, germs. All these things—as well as the fact that the skirt silhouette was so large that women often caught their clothes on fire when tending fires or cooking.

The Bloomer Dress

So there were many reasons that Dr. Mary Walker and others began fighting to change the fashions of their age through the National Dress Reform Association. A friend and fellow activist—Amelia Jenks Bloomer—created an interesting, if controversial, ensemble for women to wear. It paired a knee-length skirt with a pair of Middle-Eastern-style trousers (or bloomers) underneath. Some women chose to wear the rather startling style, but they were often decried in newspapers, bullied in the streets, and thought to have lost the allure by most in the court of public opinion.

Dr. Mary E Walker
wearing male-styled attire.

Dr. Mary later took to wearing men’s clothing styles, despite the backlash among society. When she was captured during the Civil War while attempting to treat wounded behind enemy lines, she was given clothing to wear at the prison camp. However, she flatly refused, stating she would wear the clothing (men’s pants and shirt) she had come in with, since it was better suited for her circumstances. After the war, she was arrested more than once for “dressing against her sex” or “impersonating a man.” When she faced the judge, she informed him and all in the courtroom that “I don’t wear men’s clothes. I wear my own clothes.” She also made it know that she should have the right “to dress as I please in free America on whose tented fields I have served for four years in the cause of human freedom.” After that, the judge agreed, dismissed the case, and warned the police to never arrest her again for any fashion-related incident.

Mary’s efforts had little effect on the overall fashion of the day, though some women did give up wearing corsets or opted for pants with a shorter skirt over them for better freedom of movement while working. But you can certainly see that Dr. Mary Edwards Walker was a woman born too early—and she was born with enough gumption to fight the mores and standards of a very prim and proper time.

Dr. Mary Walker in a bloomer dress

It’s your turn: Were you aware of how cumbersome Victorian women’s fashions were, and if you’d lived in that day, would you have gone with the bulk of society to wear those fashions, or would you have come down on the side of the fashion rebels and reformers?

Jennifer Uhlarik discovered the western genre as a pre-teen, when she swiped the only “horse” book she found on her older brother’s bookshelf. A new love was born. Across the next ten years, she devoured Louis L’Amour westerns and fell in love with the genre. In college at the University of Tampa, she began penning her own story of the Old West. Armed with a B.A. in writing, she has won and finaled in numerous writing competitions. In addition to writing, she has held jobs as a private business owner, a schoolteacher, a marketing director, and her favorite—a full-time homemaker. She currently writes historical novellas of the American West for Barbour Publishing and works as a Content Editor for Firefly Southern Fiction. Jennifer is active in American Christian Fiction Writers and lifetime member of the Florida Writers Association. She lives near Tampa, Florida, with her husband, college-aged son, and four fur children.

AVAILABLE NOW!

The Secret Admirers Romance Collection

Declaring one’s love can be hard—even risky—especially when faced with some of life’s greatest challenges. Separated by class, time, distance, and more, some loves must remain secret until the time is right. Instead, notes of affection, acts of kindness, gifts of admiration, and lots of prayer are circulated. From New England mansions to homestead hovels, love is quietly being nourished and waiting for the right time to be revealed. But when love can finally be boldly expressed, will it be received by love in return?