Showing posts with label 18th century England. Show all posts
Showing posts with label 18th century England. Show all posts

Friday, September 4, 2020

Dissected Puzzles in Jane Austen's World

by Anita Mae Draper

Wallis's New Dissected Map of World, published June 25, 1812. Library of Congress Geography and Map Division, Public Domain

Can you believe that shaped 'jigsaw' puzzles like the one in this image have been around for over 200 years and are even mentioned in a Jane Austen novel? It's true. Called dissected puzzles, they are credited to John Spilsbury, a British cartographer who was once an apprentice to Thomas Jefferys, the Royal Geographer to King George III. In 1766, six years after his apprenticeship ended, Spilsbury began publishing puzzle maps featuring the World, Europe, Asia, Africa, America, England and Wales, Ireland, and Scotland. 

Europe divided into its kingdoms, etc. Creator John Spilsbury, 1766. Wikipedia, Public Domain

Lady Charlotte Finch, governess to King George III's children who included the future George IV and William IV, saw the value of Spilsbury's dissected maps and used them to teach her charges about the world they lived in at the time. To keep the pieces together, she had a special 14-drawer cabinet made which is referred to as Lady Finch's puzzle cabinet. 

King George, Lady Finch's Puzzle Cabinet. Courtesy of © Victoria and Albert Museum, London

In 1801, Practical Education Vol. I. by Maria and R. L. Edgeworth was published for J. Johnson, St. Paul's Church-Yard, London. The first of three volumes, it taught a hands' on approach to learning in addition to the current thought of reading and writing only.  
"...Whoever has watched children putting together a dissected map, must have been amused with the trial between wit and judgement. The child who quickly perceives resemblances catches instantly at the first bit of the wooden map, that has a single hook or hollow that seems likely to answer his purpose; he makes twenty different trials before he hits upon the right combination; whilst the wary youth, who has been accustomed to observe differences, cautiously examines with his eye the whole outline before his hand begins to move; and, having exactly compared the two indentures, he joins them with sober confidence, more proud of never disgracing his judgment by a fruitless attempt, than ambitious of rapid success. He is slow, but sure, and wins the day."


Practical Education Vol 1 - Maria Edgeworth, Richard Lovell Edgeworth, 1801. Public Domain

The text mentions a hook or hollow on a puzzle piece. John Spilsbury layered his printed maps on thin sheets of wood, and then would have used a fretsaw, a mid-16th century invention, to work around the curves and corners, and intricate hooks and hollows, to create the puzzle. Today we call them jigsaw puzzles and it's ironic to note that most are printed on cardboard and don't need a jigsaw, fretsaw, or scroll saw to cut apart the interlocking pieces. 

Jane Austen, novelist. Public Domain
In 1814, Jane Austen's Mansfield Park was published. It's the story of poor Fanny Price, a young girl sent to live with her mother's sister who married well and lives a rich life. Fanny hasn't had the educational advantages of her snobbish cousins who don't hide their thoughts or feelings where Fanny is concerned. At one point we read, "Dear mama, only think, my cousin cannot put the map of Europe together—or my cousin cannot tell the principal rivers in Russia—or, she never heard of Asia Minor—or she does not know the difference between water-colours and crayons!—How strange!—Did you ever hear anything so stupid?"

It is a fair assumption that Fanny's cousins had had the advantage of playing with dissected maps among their other toys, educational or otherwise, since the puzzles had already been circulating around England some forty-odd years by the time Mansfield Park was written and first published.

During this time of turmoil when we adjust our lives to physical distancing, it's interesting to note that jigsaw puzzles are fashionable once again with some stores having trouble keeping them in stock. As a jigsaw puzzle lover, I can attest to their appeal. And after writing a western adaptation of Jane Austen's Sense and Sensibility, I can truly say that I appreciate her more every time I read her work. She is a classic.

Have you read Mansfield Park? Did you catch the reference to putting a map of Europe together? Do you like dissected puzzles? 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~




Anita Mae Draper served a 20-year term working on air bases in the communication trade of the Canadian Armed Forces before retiring to the open skies of the prairies. She uses her experience and love of history to pepper her stories of yesteryear's romance with realism as well as faith. Anita Mae Draper's published stories appear in Barbour Publishing, WhiteFire Publishing, and Guideposts Books. Readers can enrich their story experience with visual references by checking out Anita's Pinterest boards. All links available on her website at www.anitamaedraper.com 

Monday, January 20, 2020

Who Wrote "Come, Thou Fount of Every Blessing?"




Robert Robinson, the author of "Come Thou Fount of Every Blessing" and "Mighty God, While Angels Bless Thee" was a complicated fellow, if my research is any indication. He was born in Swaffham, in Norfolk, England in 1735. By one account, his parents’ marriage was unhappy, and he was not raised in a religious environment. In another account, his mother is referred to as “a godly woman and far above her circumstances.” This may refer to her spiritual outlook since, they were impoverished, especially after his father died, somewhere between the time Robert was five and in his early teens. 

Robert’s mother had been brought up in a wealthy family. Her father, who was angry with her for marrying beneath her class, left his grandson an inheritance of today’s equivalent of $100, which was considered an insult. She realized Robert was quite intelligent and prone to being bookish. She worked hard, taking in boarders, and seamstress’ work, to pay for his education until she could no longer afford it.

Then a friend of the family told them about his brother in London, who was a barber. The barber was willing to take Robert on as an apprentice and indentured servant. Robert was still more interested in reading than fixing hair, but he continued his apprenticeship. Unfortunately, he made friends with a rowdy and dissolute bunch.

One time he and his friends plied an old Gypsy woman with alcohol to make her drunk and then laughed at her when she made her predictions. But when she looked at Robert and told him he would live to see his children and grandchildren, it made him think about where his life was headed.

At a later time, they went to the church of the great evangelist, George Whitefield, to “mock the preacher and pity his hearers.” Instead, Robert Robinson came away with a fear of God which dogged him day and night. Yet, it wasn’t until three years later, at age twenty, that he made his peace with God. He wrote in Latin in one of his books that he’d “found full and free forgiveness through the precious blood of Jesus Christ.” This took place on December 10, 1755. You can see why he wrote in "Come Thou Fount of Every Blessing" two years later:

Jesus sought me when a stranger,
Wandering from the fold of God;
He, to rescue me from danger,
Bought me with his precious blood.


George Whitefield preaching, 1857 engraving,
{PD}
He’d received the living water Christ had to give, our fountain of every blessings, of grace, mercy, and more.

After his conversion, Robinson became a Calvinistic Methodist. He returned home to his uncle’s farm in Suffolk after he finished his indentured servitude and went into the ministry around the age of twenty-two, learning the preaching style of George Whitefield, Wesley, and other Methodist ministers.

While he was there, he also met and married Ellen Payne. They had twelve children.

He also decided to embrace the idea of adult rather than infant baptism. Once he was baptized by immersion, he became a Baptist preacher. He was invited to preach to the Baptist church at Cambridge in 1759 and took up his call there, first temporarily, but then permanently. He didn’t feel worthy to be the pastor at first, but for the next 30 years it was his place of ministry.


The following words in Robinson’s hymn have tugged at my heart. Perhaps he thought of his old nature as he wandered in his sin before he committed his life to Christ when he wrote these words:

Prone to wander, Lord, I feel it.
Prone to leave the God I love.

There is a question still debated as to whether Robert Robinson did wander from his faith, due to his acquaintance with Joseph Priestley, a scientist and Unitarian, (one who denies the doctrine of the Trinity). Robinson apparently spoke at a Unitarian church at one point near the end of his life, but in his writings did not deny the deity of Christ, as far as I could ascertain.

There’s also a widely told, but unverifiable story that supposedly happened toward the end of his life. I found this version at Christianity.com: ‘One day as he was riding in a stagecoach a lady asked him what he thought of the hymn she was humming. He responded, "Madam, I am the poor unhappy man who wrote that hymn many years ago, and I would give a thousand worlds, if I had them, to enjoy the feelings I had then."’


St. Andrew's Street Baptist Church, Cambridge on the site
of the Baptist Church at Cambridge, from RichTea, 2007, {PD}
However, keep in mind that in 1787, his seventeen-year-old daughter, Julie, died and he never recovered from the grief. He died in 1790, a broken man, physically and mentally. His sermons weren’t making sense, and he was considered insane. He was physically worn out, his friends had deserted him, and financial troubles made him a likely candidate for debtor’s prison. The end of his 54 years on this earth were fraught with difficulties. Perhaps he returned to think of the words of the last verse of his song, which is seldom sung:

O that Day when freed from sinning,
I shall see thy lovely Face;
Clothed then in blood-washed Linnen [sic]
How I’ll sing thy sovereign grace;
Come, my Lord, no longer tarry,
Take my ransom’d Soul away;
Send thine Angels now to carry
Me to realms of endless Day.


"Come Thou Fount of Every Blessing" is usually set to the American folk tune "Nettleton." It remains a favorite and has been recorded by many artists over the years, still relevant to today's Christian.


Kathleen Rouser is the multi-published author of the 2017 Bookvana Award winner, Rumors and Promises, her first novel about the people of fictional Stone Creek, Michigan, and its sequel, Secrets and Wishes. She is a longtime member in good standing of American Christian Fiction Writers. Kathleen wanted to be a writer before she could even read. She longs to create characters who resonate with readers and realize the need for a transforming Savior in their everyday lives. She lives in Michigan with her hero and husband of thirty-some years, and continues on the elusive quest to brew the perfect cup of coffee to enjoy while she is writing. Connect with Kathleen on her website at kathleenrouser.com, on Facebook at https://www.facebook.com/kathleenerouser/, and on Twitter @KathleenRouser.


Secrets and Wishes
Stone Creek, Michigan, April, 1901 — Maggie Galloway and Thomas Harper clash after their sons collide in a fistfight. Both widowed, they’re each doing their best as single-parents. Outgoing Maggie has dreams for a home of her own and a business to provide for her son as she searches for God’s path for her life as a widow. Reserved Thomas struggles to establish his new pharmacy and take care of his four rambunctious children, while wondering how a loving God could take his beloved wife.

When a charlatan comes to town, and tragedy soon follows. Maggie and Thomas discover the miracle potions he hawks aren’t so harmless when an epidemic hits Stone Creek. Thomas and Maggie realize they must work together to save lives.

Maggie finds herself caught up in battles within and without—the battle to help the townsfolk in the midst of illness and chicanery, and the battle to know which man—Thomas or Giles, a former beau—deserves to win her heart.

Saturday, December 2, 2017

Hymn Stories: Hark! The Herald Angels Sing


Christmas favorite "Hark! The Herald Angels Sing" is one of more than 6,500 hymns written by Englishman and Anglican priest Charles Wesley...but the original song, first published in 1739 in the collection Hymns and Sacred Poems, was not quite what we sing today.

Charles Wesley was born in 1707 to Samuel, an Anglican priest, and Susanna, one of nineteen children, although nine would die quite young. One of his older brothers, John Wesley, would later found Methodism. After studying at Oxford, Charles Wesley was ordained into the Anglican church in 1735, as his father and brother John had been.


Charles Wesley, painter unknown. Public Domain
Despite his ordination, he experienced a conversation in May of 1738 which influenced his understanding of the Holy Spirit. He felt strengthened to share the Gospel in new ways, included open-air preaching, and began to write hymns. 

Within the year, he'd written "Hark! The Herald Angels Sing" and seen it published. The form was different than we'd recognize now: it contained ten four-line verses, with no refrain.Wesley's theologically rich song was intended to be set to a slow, serious tune. It also began like this:

HARK how all the Welkin rings
"Glory to the Kings of Kings,
"Peace on Earth, and Mercy mild,
"GOD and Sinners reconcil'd!"

Joyful all ye Nations rise,
Join the Triumph of the Skies,
Universal Nature say
"CHRIST the LORD is born to Day!"

"Welkin" means "sky" or "heaven." 
Worship of the shepherds by bronzino.jpg
"Worship of the Shepherds" by Bronzino. Public Domain
George Whitefield, fellow preacher and a fellow student with Wesley, took hold of the hymn and made some big changes in 1753. Where Wesley wrote, "Glory to the King of kings," Whitefield preferred "Glory to the newborn King." There were other changes that were possibly theological in nature, and Whitfield cut the final four verses. 

Whitefield's version was published in his 1754 Collection of Hymns for Social Worship. Wesley was so upset, he refused to sing the new version. 

In 1782, the hymn was revised yet again with the addition of the familiar refrain in New Version of the Psalms of David by Tate and Brady: "Hark! the Herald Angels sing/Glory to the newborn king."

In 1855, the hymn saw new life when English musician William H. Cummings adapted a tune by composer Felix Mendelssohn (from Festgesang) to fit the lyrics. Mendelssohn never thought that piece suitable for sacred music, ironically.

In 1885, it was considered one of the "Great Four" Anglican hymns by the Rev. James King, who wrote a book about the hymns most often sung in the Anglican Communion. Two of the four are by Charles Wesley; the other is "Lo! He Comes with Clouds Descending." (The other two? "Rock of Ages, Cleft for Me" by Toplady and "All Praise to Thee, My God, This Night" by Ken.)

It is this version we sing today, a beloved and so familiar it was featured in 1965's "A Charlie Brown Christmas." It is difficult to imagine a Christmas Eve church service without it.

***

Your Turn:

What is your favorite Christmas hymn?

***


BIO:

Susanne Dietze began writing love stories in high school, casting her friends in the starring roles. Today, she's the award-winning author of over a dozen historical romances who's seen her work on the ECPA and Publisher's Weekly Bestseller Lists for Inspirational Fiction. Married to a pastor and the mom of two, Susanne lives in California and enjoys fancy-schmancy tea parties, genealogy, the beach, and curling up on the couch with a costume drama and a plate of nachos. Her books include My Heart Belongs in Ruby City, Idaho: Rebecca's Plight, a mail-order mix-up. Visit Susanne at www.susannedietze.com



Friday, July 14, 2017

Farm Animals in Colonial Times

Today I’m going to follow up my series on colonial farms with a look at what kinds of livestock you’d have found on early American farms. Back then few people cared about breeds, and few formal breeds had been established. To farm families a cow was a cow, a pig was a pig, and a chicken was a chicken. They needed animals for food and labor, so naturally they favored animals that were the most productive and best adapted to their area whatever the breed.

Poultry

Poultry was as important to cooking in the 18th century as today. Chickens, ducks, and geese were not only a source of meat and eggs, however, but also helped to keep the bug population under control in colonial gardens. The following are several early breeds you would have found down on the farm.

Dominique Chicken
Dominique Chickens. One of the first breeds of chickens developed in the United States. Black and white, they are small to medium in size and very hardy as their heavy plumage protects them in freezing temperatures. They were developed during 1700s in Massachusetts from English breeds introduced by European who settled in New England.

Dorking Chickens. This silver or dark poultry breed has five toes. They are large and broad-breasted, well suited to the outdoors due to their ability to forage for their food.

Hamburg Chicken
Hamburg Chickens. These small chickens are known for their slender legs, neat combs, symmetrical form, and for producing large quantities of eggs. Thought to have originated in Holland before the 14th century, they come in a variety of colors. Colonial Williamsburg breeds the silver spangled variety.

Spanish Black Turkey. These completely black fowl descended from Mexican turkeys domesticated by the Aztecs, which were brought back to Spain by Spanish explorers in the 1500s. They spread to England and from there were brought back to North America by settlers in the 18th century. Crossed with North American wild turkeys, they produced breeds such as the Bronze.

Bronze Turkey
Bronze Turkeys. This is the turkey that comes to mind when we think about the Pilgrims and the first Thanksgiving. Remember all those pictures you colored in elementary school during the fall? That’s the one. This breed was developed in the 18th century, though they weren’t called by that name until the 1830s. Descendents of the Spanish Black Turkeys were brought from England to the colonies, where they were crossed with wild North American turkeys to produce a bird that was larger and stronger than the European turkey.

Horses

The horses that transported riders; pulled carriages, carts, and plows; and treaded wheat from the stalks in colonial times were mostly noted in records simply as plow or carriage horses. However, George Washington inventoried Arabian and Andalusian horses in his herd, along with Chincoteague ponies.

Andalusian horse
Andalusian. The Andalusian horse is descended from the Iberian horses of Spain and Portugal, and derives its name from Andalusia, where it originated. The breed was considered the “first place for its perfection, because it is the most beautiful, noble, graceful and courageous.” The breed peaked in popularity in Great Britain during the 17th century, but with the introduction of the thoroughbred, its popularity faded after the mid-18th century.

Arabian. Arabian horses originated on the Arabian Peninsula and have a distinctive head shape and high tail carriage that we probably are all familiar with. These beautiful horses are one of the oldest breeds; archaeological remains of horses in the Middle East that resemble the modern breed date back 4,500 years.

Chincoteague Pony
Chincoteague Pony. Also known as the Assateague horse, this is a breed of feral ponies that developed on Assateague Island off the coast of Virginia and Maryland. They can be any color, including pinto. Legend holds that their ancestors were survivors of wrecked Spanish galleons off the Virginia coast, but it is more likely that they descend from stock released on the island by 17th-century colonists.

Belgian. This large draft horse, also known as Belgian Heavy Horse, Brabançon, or Brabant, originated in the Brabant region of modern Belgium. It was a favorite for pulling heavy loads.

Marsh Tacky Horse
Marsh Tacky Horse. These sturdy horses are native to South Carolina and may have been left behind by Spanish explorers and settlers in the 1500s. During the American Revolution they were ridden by many of the troops of the famous—or infamous—“Swamp Fox” Francis Marion because they were well adapted to the rough and swampy terrain of the region. Because of their gentle nature and size they became a preferred mount for women and children, but their strength and fearlessness also made them popular for hunting and herding cattle. They are a direct descendent of the horses of the Golden Age of Spain, a type that is mostly extinct in Spain today and is critically rare today.

Cows

Cows provided meat, milk, leather, and labor for colonial farm families. The following 2 breeds were widespread throughout the colonies.

Milking Red Devons
American Milking Red Devons. Descended from the British Red Devon breed native to Devonshire, England, these large, red cows with long horns were brought to New England by the Pilgrims in 1623. They were valued for their ability to provide labor, meat, and high butterfat milk ideal for making butter and cheese as well as for their ability to forage and thrive even on poor pasture. They are gentle, active, intelligent, and relatively strong for their size, which made them popular as oxen.

Kerry Cows. Now a historic rare breed of dairy cattle, Kerries are native to Ireland and are probably the breed records of the early Plymouth Colony described simply as “black cows.” They are believed to be one of the oldest breeds in Europe. Their coat is almost entirely black, with a little white on the udder, and their horns are pale colored with dark tips.

Other Animals

Goat at Plymouth Plantation
Spanish Goats. Beginning in the 1500s, Spanish explorers brought goats from Spain to the Caribbean Islands, and from there they spread across North America and Mexico. They are hardy and thrive on rough forage and in challenging environments. As a source of milk, meat and hides, they became an integral part of subsistence farming, especially since eating goat meat allowed cattle to be used as draft animals for crop production and transportation. Spanish goats were the only goats known across the southern United States and in most other parts of the Americas for more than 300 years. Spanish goats are usually horned and are found in a variety of different colors. Later immigrants from the British Isles brought with them the Old English Goat, Irish Primitive Goat, Old Irish Goat, Old Scottish Goat, and Old Welsh Goat.

Ossabaw Island Hog
Ossabaw Island Hogs. Hogs were valued by the colonists because they could be allowed to run wild and forage in the woods until the fall when they were caught, fattened, and slaughtered. Early explorers brought livestock to the Americas beginning in the 1500s, including pigs that escaped or were deliberately set free to forage. The Ossabaw Island Hog, a feral breed that has lived for centuries on Ossabaw Island off the coast of Georgia, is the closest genetic representative of these swine. They’re usually black, although some are black with white spots or light with black spots. Adult pigs are hairy, with heavy bristles around the head and neck.

Leicester Longwool Sheep
Leicester Longwool Sheep. The Leicester (pronounced leister) breed, known for its docility and the length and sheen of its wool, was introduced to North America from Britain before the Revolutionary War and remained popular into the 1800s. These sheep mature quickly and produce a soft, heavy fleece that falls in long ringlets. The wool is very desirable for spinning, weaving, and making felt and hair for dolls. They were used as a pioneer breed in America, Australia, New Zealand, and other British colonies, but today are quite rare in Britain and North America. The Colonial Williamsburg Foundation reestablished this breed in the United States by importing sheep from Tasmania, but it remains globally rare.

Having grown up on a farm, I’ve gone to a number of county fairs, and I always find myself drawn to the fancy chickens. For some reason I love the different breeds and colors. Believe me, if I owned any acreage, I’d have a flock!

Do you like to go to county fairs and check out the livestock? Do you find yourself drawn to a particular type of animal? Have you ever had an unusual pet? Please share a bit about your animal preferences and experiences with us!
~~~
J. M. Hochstetler is an author, editor, and publisher. The daughter of Mennonite farmers, she is a lifelong student of history. Northkill, Book 1 of the Northkill Amish Series, won Foreword Magazine’s 2014 Indy Book of the Year Bronze Award for historical fiction. Book 2, The Return, released in April. Her American Patriot Series is the only comprehensive historical fiction series on the American Revolution. One Holy Night, a contemporary retelling of the Christmas story, was the Christian Small Publishers 2009 Book of the Year.
~~~
Bronze turkey image: CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=284803
Ossabaw Island Hog image: CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=5894230

Friday, December 2, 2016

Add Regency Fun to Your Holiday: Regency Games



In Georgian and Regency England, the Christmas holidays were spent a little differently than we spend them now (the Twelve Days of Christmas actually started Christmas Day and ended January 5, the day before Epiphany), but one thing hasn't changed: friends and family gathered together to celebrate. There were parties, balls, and masques to enjoy, but there were also plenty of games to be played at home, too.

Here are a few of the games they enjoyed. Some might be familiar to us, while others sound downright dangerous!

Bullet Pudding: This is not a pudding (dessert) at all, but a very messy game in which a large bowl is filled with flour,. The flour is mounded so it looks like a pudding. A bullet is laid on the top of the mound. Players take turns "slicing" the "pudding" with a knife. The person who is in the act of cutting a slice when the bullet falls into the flour must then dip his or her face into the flour and poke about for the bullet--no hands. The bullet is then retrieved with his or her teeth.

Snapdragon: “Christmas gambol: raisins and almonds being put into a bowl of brandy, and the candles extinguished, the spirit is set on fire, and the company scramble for the raisins.” (Francis Grose Dictionary of the Vulgar Tongue, 1811). Participants eat the raisins and almonds, and apparently try not to get burned in the process. Snapdragon was popular since the sixteenth-century.

Hot Cockles: One person lays his or her head in another person's lap, hiding one's eyes, and must guess who is striking him from behind. 

Apple Bobbing: Just like we do today in the autumn.

Oranges and Lemons: Similar to "London Bridge," participants file in pairs between two players who hold hands in the air, creating an "arch." Participants sing a song, and in the last part, these lines are sung:

Here comes a candle to light you to bed.
Here comes a chopper to chop off your head.
(Chip chop, chip chop, the last man's dead.)
Oranges and Lemons by Agnes Rose Bouvier (1842–92). Public Domain
The "arch" is lowered, capturing a pair, and now the pair must join the players who made the original arch, lengthening the arch and increasing the risk for other players to be captured.

Puss in the Corner: Something like tag with five participants, one person ("puss") stands in the center of the room. The other participants stand, one in each corner. They must swap places without being caught by "puss". When one is caught, they become "puss."

Hunt the Slipper: A slipper is hidden in a room and everyone searches for it. The winner got to hide it for the next round.

Spillikins: Similar to Jack Straws or Pick Up Sticks, sticks of wood or ivory are spilled onto a table and must be removed, one by one, without disturbing the others.

Bridge of Sighs or Beast of Burden: A risque-looking game where a gentleman gets down on all fours and a lady sits on his back (he is either a bridge or a beast, depending on the game). Other gentlemen present may kiss the lady!

Rhyming Games: Participants are given three rhyming words and must create a poem with them. 

Charades: Participants pantomimed words, activities, or perhaps book titles, much like we do today.

Parlor Theatricals: Using scripts (written by the participants or purchased), participants acted out plays. Home theatricals could be serious business and participants wore costumes and rehearsed the productions.

***

Your Turn:

What games does your family play at Christmastime?

***


BIO: Susanne Dietze began writing love stories in high school, casting her friends in the starring roles. Today, she's the award-winning author of almost a dozen historical romances who's seen her work on the ECPA and Publisher's Weekly Bestseller Lists for Inspirational Fiction. Married to a pastor and the mom of two, Susanne lives in California and enjoys fancy-schmancy tea parties, genealogy, and curling up on the couch with a costume drama and a plate of nachos. 

Her latest release is The Rails to Love Collection.

Thursday, October 20, 2016

The Estate at Stourhead





When I was blessed with an opportunity to visit my niece for a week in England, I had high hopes of visiting Highclere Castle, the real life setting of Downton Abbey, but distance and time did not permit this. I asked my niece if we could visit an estate which had belonged to nobility and so she took me to Stourhead!

Detail of painted glass in the library.
Indeed, visiting the grounds and Palladian-style mansion (based on the ideas of Venetian architect, Andrea Palladio) and very spacious grounds makes a visitor feel as though they’ve entered the production site of a BBC period drama. The Palladian bridge and Temple of Apollo are actually seen in the 2005 movie, Pride and Prejudice, and the gardens were used in the 1975 Academy award winning movie, Barry Lyndon.


One of many beautiful and sumptuously decorated rooms in
Stourhead.
Henry Hoare I, the son of wealthy banker, Richard Hoare, who’d been knighted in 1702 by Queen Anne, bought the Stourhead estate, which had been in the family of the Barons of Stourton for over 500 years, in 1717. The old manor house was demolished to make way for the new, which was completed in 1725 after four years, and designed by Colen Campbell, a Scottish architect. Sadly, Henry Hoare I died the same year the house was completed, but it was passed onto his son, Henry Hoare II.


Rhododendrons in the garden. 
Henry II, successful in his own right, furnished the Palladian mansion with beautiful artwork. He was also instrumental in the design of the classical gardens around a lake. The path around the lake is supposed to recreate the different stages of Aeneas’s visit to the underworld, a mythological tale found in the Aeneid. This includes a Pantheon, a temple of Apollo (added later), and a grotto with a statue of a nymph.

The Pantheon. 


Nymoh in the grotto.
Yet, there is nothing that seems it’s from the underworld in this beautiful place. The gardens were also created to provide a lively, colorful landscape, evoking images in paintings. The gardens and buildings were a status symbol for the inhabitants of Stourhead, proclaiming their wealth.



Grotto text. 
Henry II’s grandson, Sir Richard Colt Hoare, added both the picture gallery and Regency library, which are both a feast for the eyes, and the temple of Apollo in the garden as well. Succeeding heirs made changes and additions over more than a century. 

Looking out of the grotto.
Then late in the 19th century, Sir Henry Hugh Arthur Hoare took over Stourhead after his uncle left. He and his wife, Lady Alda Hoare, devoted themselves to the restoration and care of Stouhead, preserving it for their son, Harry. They even endured further repairs after a fire in 1902.


Sadly, Harry died in battle during World War I in 1917. Sir Henry and Lady Alda were the last residents of Stourhead and the estate was given over to the National Trust in 1947. To this day, Stourhead the historic estate and gardens, in Mere, Wiltshire, England, truly remains a national treasure, preserving the elegance of days gone by.


 Kathleen Rouser (above, by the lake at Stourhead) has loved making up stories since she was a little girl and wanted to be a writer before she could even read. She desires to create characters who resonate with readers and realize the need for a transforming Savior in their everyday lives. She is a long time member in good standing of ACFW and a former board member of its Great Lakes Chapter. Kathleen has been published in anthologies, including the Amazon bestseller, Christmas Treasures, as well as in both print and online magazines. Her debut full-length novel, Rumors and Promises, was recently published by Heritage Beacon Fiction in April, 2016.


Previously a home-school mom of three, she has more recently been a college student and a mild-mannered dental assistant. Along with her sassy tail-less cat, she lives in Michigan with her hero and husband of nearly 35 years, who not only listens to her stories, but also cooks for her.

Find her online at: Website: kathleenrouser.com
Facebook: facebook.com/kathleenrouser/
Twitter: @KathleenRouser

Wednesday, July 20, 2016

Visiting the Jane Austen Centre in Bath, England


As a longtime Jane Austen fan, absorbing the atmosphere of Bath, England, and it's unique Georgian architecture, I could feel the history surrounding me. Up until a few months ago I didn't know I would have the opportunity to visit this lovely little city. Walking five minutes in any direction will bring you to a site of historic significance. I didn't want to leave Bath without first having a chance to visit the Jane Austen Centre. 



This museum is located on Gay Street, on the same street, but not the same house in which Jane once lived for a time with her mother and sister after her father died. The buildings are very similar. 



A live "Mr. Bennet" happily greets visitors at the doorway, in Regency costume while a statue of Lizzie Bennet stands to the right as though waiting for someone on the street. Inside is the gift shop where you can buy tickets and wait for the tour while perusing a delightful array of Jane Austen souvenirs.


As the tour begins a guide shares the story of Austen's upbringing. It was fun learning a few things I didn't know about Jane and her family. She was quite close to her sister, Cassandra, who also never married, though she was secretly engaged for a time.




During the 1790s, Jane's family visited Bath on a few occasions. The tour guide noted that these were lighter and more carefree days, when she wrote Northanger Abbey. After her father retired from the pastorate they moved to Bath in 1801. This was not necessarily a happy time for Jane as in 1805 Mr. Austen passed away. It was after this they moved to Gay Street. These were less productive times of writing for Jane. Later she wrote her novel, Persuasion, with a darker view of Bath.



After a short introduction I was escorted down the hall where a gallery of pictures supposed to be Jane, a group of watercolors, prints, and sketches.
One of the sketches with Jane wearing a bonnet and looking away is a sketch done by her sister, Cassandra, as well as well-known pencil sketch also by Cassandra.

The Centre includes a short film narrated by Adrian Lukis, the actor who played the dastardly Mr. Wickham in the beloved 1995 BBC version of Pride and Prejudice. Actual period clothing is displayed as well as a table set for tea and various displays describing events in Jane's life and daily living during the Regency period in general. 





Did you know Jane did possibly experienced young love and at a different time was actually engaged for less than a day? The first, a nephew of neighbors in Steventon where she grew up, Tom Lefroy, visited several times. He and Jane enjoyed one another's company, but his parents had him intended for a wealthier match.


During her time in Bath, when she was late in her 20s, a younger brother of one of her friend's, Harris Bigg-Wither, offered a proposal of marriage, a surprise to Jane. At first, considering his inheritance and an opportunity to provide for her mother and sister, Jane accepted the proposal, but upon reflection overnight realized she didn't have the affection for Mr. Bigg-Wither which she believed would be important for a successful marriage. She declined the next day, to the embarrassment of both families. Yet Jane Austen's principles are evident again and again in her novels. The heroine holds out for marriage to a man she truly loves above other considerations.


Miss Austen's years post-Bath were spent in Chawton in a cottage her brother, Edward, provided for her, her mother, and her sister. Part of a large and close family, Cassandra and Jane helped their brother Edward with his family as well. Her brother, Henry, whom she was closest to, later advocated for her in having her works published. She ocntinued writing until her death at age 41 in 1817.





At the end of the museum you will find a full-size wax image, created by a forensic artist and said to be the most accurate depiction of Jane Austen. Visitors can also dress up in period clothing to have their picture taken. I opted to have my photo taken alongside "Jane" without a costume, but still it felt special.

The Jane Austen Centre in Bath is a testament to the fulfilling life that she lived though cut short by an unknown disease. She lives on in her books, in the imaginations of those who greatly admire her writing, and every young woman searching for her own Mr. Darcy! 





About Kathleen: Kathleen Rouser has loved making up stories since she was a little girl and wanted to be a writer before she could even read. She desires to create characters who resonate with readers and realize the need for a transforming Savior in their everyday lives. She is a long time member in good standing of ACFW and a former board member of its Great Lakes Chapter. Kathleen has been published in anthologies, including the Amazon bestseller, Christmas Treasures, as well as in both print and online magazines. Her debut full-length novel, Rumors and Promises, was recently published by Heritage Beacon Fiction in April, 2016.


Previously a home-school mom of three, she has more recently been a college student and a mild-mannered dental assistant. Along with her sassy tail-less cat, she lives in Michigan with her hero and husband of 34 years, who not only listens to her stories, but also cooks for her.

You can connect with me here: 

Website: kathleenrouser.com; 
Facebook: facebook.com/kathleenrouser/; 
Twitter: @KathleenRouser

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by Kathleen Rouser

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