Showing posts with label wedding. Show all posts
Showing posts with label wedding. Show all posts

Saturday, April 2, 2016

White House Weddings: Maria Monroe



Maria Hester <i>Monroe</i> Gouverneur
Maria Monroe
The first White House wedding of a president’s child was that of Maria Monroe, daughter of fifth president James Monroe and his wife Elizabeth, to White House staffer (and son of Elizabeth’s sister) Samuel Gouverneur on March 9, 1820.

Maria (pronounced “Moriah”) was seventeen, accomplished, and madly in love with the dashing Samuel. But her wedding caused a bit of talk, and not the good kind.

Maria moved into the White House when she was fourteen years old. Her mother, Elizabeth, viewed the role of First Lady far differently than her predecessor, Dolley Madison. While Mrs. Madison was a popular hostess and public figure, Elizabeth Monroe was reserved and concerned with propriety. Influenced by her time in Europe, she adopted a protocol she felt was more befitting the office of President: limiting access to him and his family.

This protocol was most profoundly executed by refusing to make or receive calls or socialize with political or diplomatic spouses, believing such familiarity would imply official recognition of the president. While this style of etiquette might have been familiar in Europe, it was not well-received in America. (It's also interesting to note that even before the Monroes entered the White House, they lived in Washington D.C. for seven years and rarely entertained.)

Elizabeth Monroe
Elizabeth Monroe, First Lady
The new protocol was not well received. Politicians and diplomats felt snubbed, if not outraged. When the Monroes determined not to host the traditional Independence Day open house, however, the public was insulted, too.

This was the atmosphere in which Maria Monroe planned her wedding.

Or rather, in which she tried to plan her wedding. Elizabeth Monroe was ill, perhaps suffering from epilepsy, so she recruited her 33-yr old daughter Eliza Hay to be her representative in many duties. 
Eliza Kortright <i>Monroe</i> Hay
Eliza Monroe Hay
When Eliza learned that a Russian diplomat inquired about paying his respects at Maria and Samuel's wedding, Eliza put her foot down, citing protocol. Samuel and Maria resented the intrusion, especially when it came to the guest list, but Elizabeth and James Monroe approved Eliza’s changes, and nothing could be done.

In the end, forty two guests—all family and close friends approved by Eliza—gathered in the White House, possibly the Blue Room, which was then called the Elliptical Room. The Rev. William Hawley of St. John’s Episcopal Church officiated. Gifts were discouraged, but they arrived anyway, including a bas relief of the teenage bride and a pianoforte from her parents.

On display at the James Monroe Museum
Directly following, the group adjourned to the State Dining Room for a meal. Since the White House had been burned by the British six years before (during the War of 1812) and rebuilt, the State Dining room, like other rooms, was refurnished in 1817. President Monroe himself ordered green silk wallpaper, two Italian Carrara marble mantelpieces, and a 14-foot long gilded bronze plateau centerpiece from France that could be shortened depending on the size of the table. 

Also added at this time were vermeil flatware and silver dishes (place setting for 72, plus tureens, chafing dishes, and more). The expense was great, which was another complaint lodged by opponents of the Monroes.

The local paper included a 34-word write-up of the wedding. Since no diplomats, reporters, or political cronies were invited, there was apparently very little to say on the matter.

While it is true that early 19th-century weddings were not lavish, and today we would view a family wedding as a private affair, the circumstances surrounding Maria’s wedding were ill-received by Washington society. It should be noted, too, that this was not the wedding Maria or Samuel wanted. They urged President Monroe for a formal reception to smooth ruffled feathers and extend a nod to their friends. He eventually relented, but Elizabeth and Eliza refused to invite the diplomatic corps.

In response, Samuel and Maria scheduled a round of balls--although some of the guests still felt the celebrations were thin. Louisa Adams, whose husband John Quincy Adams was then Secretary of State, came home from one of the receptions disappointed that she received no cake, and therefore her young niece had none to put under her pillow to dream about her future husband.

Nevertheless, Maria and Samuel enjoyed a happy marriage until her death in 1850. They had three children, and Samuel’s role in politics continued, and he became a member of the New York State Assembly. They opened their home to James Monroe after Elizabeth’s death in 1830, and the former president died there. 

As for Eliza? She had a reputation as a “domineering perfectionist who alienated much of Washington’s social and diplomatic worlds with her pretensions” (All the President’s Children, Doug Wead). Whether or not this is fair, one fact cannot be disputed: the first White House wedding of a Presidential child was evidently charged with emotion…just like many a modern day wedding.

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Your turn: Did you watch Prince William and Kate Middleton get married on TV?

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BIO:

Susanne Dietze began writing love stories in high school, casting her friends in the starring roles. Today, she writes in the hope that her historical romances will encourage and entertain others. A pastor’s wife and mom of two, she loves fancy-schmancy tea parties, travel, and curling up on the couch with a costume drama and a plate of nachos. Susanne is the author of six new and upcoming novellas; her latest, One Word From You, is in White Fire’s Austen in Austin Volume I. You can visit her on her website, www.susannedietze.com.


For further reading:

Monday, September 28, 2015

Tidbits of 19th Century Wedding Gowns

One of the features on my 19th Century Historical Tidbits Blog is Historical Fashion Wednesdays. I post pictures from 19th Century publications of various fashion illustrations I've found. Over the years I've collected quite a few images. Today I'd like to post some Wedding Gowns from the 19th Century after all for those of us who write and read romance novels, weddings are a popular subject.

The first is a 1829 Wedding Dress:
1837
1857
1864
1865
1870
1881
1883


Lynn A. Coleman is an award winning & best-selling author who makes her home in Keystone Heights, Florida, with her husband of 41 years. Lynn's latest novel "The Shepherd's Betrothal" is the third book in her Historical St. Augustine, FL. series.

Check out her 19th Century Historical Tidbits Blog if you like exploring different tidbits of history.

Tuesday, May 5, 2015

Is it Real or Composite?



Photograph | Molson wedding, St. George's Church, Montreal, QC, composite, 1878 | II-49567
Molson Wedding, St. George's Church
Montreal, QC, 1878 Notman & Sandham 
© McCord Museum
My last post, Composite Photography of William Notman, introduced you to the world of William Notman, his use of composite photography, and touched on some 19th century photograph techniques. As a very brief recap, I'll say that photography gave people a physical image of something they wanted to remember, and even pass on down through the years. But often it wasn't feasible - for reasons stated in my last post.

For an example, I'll use the Molson family. As a politician, philanthropist, and businessman, John Molson (1763 - 1836) played a large role in Montreal history. In 1786 he formed the Molson Brewery which is presently the 2nd oldest company in Canada. (Only the Hudson's Bay Company is older.)  So when John's son, William Alexander Molson, married Esther Shepherd, daughter of R.W. Shepherd, owner of the Ottawa Navigation Company steamship line, the wedding was a big deal. With Bishop William Bond presiding, the ceremony was performed on October 10, 1877 in St. George's Anglican Church, Montreal. The photograph of the huge social event was a composite made possible by the artwork of the Notman & Sandham Studio.



Photograph | The Bounce, Montreal Snowshoe Club, QC, composite, 1886 | VIEW-2425
The Bounce, Montreal Snowshoe Club, QC, 1886, 
Wm. Notman & Son © McCord Museum

A famous Notman photograph shows the Governor General of Canada Lord Stanley de Preston, namesake of the Stanley Cup, being "bounced" by members of Montreal Snow Shoe Club (MSSC) in 1886. Wearing outfits reminiscent of the original voyageurs, the MSSC members performed a unique activity called bouncing to show respect and camaraderie to new members, race/tramp winners, and special guests. 

You can find information about MSSC being the first snowshoe club in North America, a detailed description of their outfits, and more at the Montreal Snow Shoe Club wiki page.

And yes, The Bounce is a composite created by individual photographs of the members standing, and one with Lord Stanley de Preston lying on a table. 





The Montreal Snow Shoe Club participated in races of all kinds including this hurdle race. Wait - a hurdle race on snow shoes? Look close - is this photograph real or a composite? 


Photograph | Hurdle race on snowshoes, Montreal, QC, 1892 | VIEW-3147.0
Hurdle Race on Snowshoes, Montreal, QC, 1892 Wm. Notman & Son © McCord Museum

I have to admit that I thought Hurdle Race on Snowshoes was a real photo when I added it to one of my Historic Winter Sports posts on another group blog. And then I discovered that it was a real photograph after all, and taken in 1892 no less. I wonder what type of camera they used, because clearly, the detail of the racers is wonderful.


Photograph | J. Beattie's snowshoeing group, Montreal, QC, 1869-70 | I-42976.1
J. Beattie's Snowshoeing Group, Montreal, QC,
1869-70 William Notman © McCord Museum
On the right, you see J. Beattie's Snowshoeing Group which I had also added to the Historic Winter Sports post thinking it was real. I mean, it looks like a typical eastern Canada setting in the foreground as well as the background. And the falling snow adds such a wintery effect.  

Similar sets were also used in photographs of people on snowshoes or on toboggans, like this one...


Photograph | R. Stevenson and friends on toboggan, Montreal, QC, 1870 | I-43894.1
R. Stevenson and Friends on Toboggan, Montreal, 
QC, 1870 William Notman © McCord Museum














But are these real photographs or composites? 

They are real studio photographs taken of posed people using props to hold their positions. The effect of the falling snow was done by the art department before releasing the photograph. 






Many families wanted a group photograph taken in their own home, like this 1904 photograph showing the Phillip Simpson Ross family of Montreal in their own living room. What do you think?


Photograph | Philip Simpson Ross family group, Montreal, QC, composite, 1904 | N-0000.72
Philip Simpson Ross family group, Montreal, QC, 1904 William Notman (1826-1891)© McCord Museum

According to the McCord Museum's online exhibition, The Photographic Studio of William Notman, "...where each person was photographed individually with a posing stand at the head to prevent movement, a clear portrait with a pleasing expression and a good pose was guaranteed. Photographing even a small group, such as a family, indoors in a single picture was impossible. Most families wanted their own living-room or parlour as a setting for the family group, but the exposure to record the room would have been up to an hour long at least. Therefore a photograph of the room only was taken, enlarged, and the figures added later."

This next photograph shows the children of W. Birks of Montreal. I suspect they are talking about William Birks, son of Henry Birks who started the Birks jewellry enterprise back in 1879 and soon renamed the store, Birks and Sons, in 1893 after going into partnership with sons William, John, and Gerald. Not only is the Birks name synonymous with jewelry here in Canada, but in 2005 they expanded into the US after a merger with Mayors Jewelers Inc. 


Photograph | Children and snow bank for Mr. W. Birks, Montreal, QC, composite, 1896 | II-115058
Children and Snow Bank for Mr. W. Birks, Montreal, QC, 1896
Wm. Notman & Son © McCord Museum

But is the photograph of W. Birks' children real or composite? Actually, I thought it was real until I looked at the shadows. The hem of the boy's coat is a sharp angle which should have shown as such in the shadow, but it doesn't. Also, the shadow doesn't show the runners or rope of the sleigh. But other than those small details, there's not much to show that this is indeed a composite. 



Photograph | Miss Allan and Mrs. Stephenson curling, copied 1876 | II-23640.1
Miss Allan and Mrs. Stephenson curling, 1876
William Notman, © McCord Museum
And finally, I'll leave you with one of my favourite photographs, that of Miss V. Allan and Mrs. Russell Stephenson enjoying the winter sport of curling. 

This is the photograph that introduced me to the composite world because it was when I accidentally found a photograph showing an individual pose used in this image that I started on the quest that led to William Notman and his studio work. 

At the McCord Museum website, I found the following 6 individual poses that I've placed in a montage for comparison purposes. Although not shown here, there is one more photograph showing a different background, but with Miss Allan bent over preparing to throw the stone instead of Mrs. Stephenson as shown on the right.

This series of images shows how props were used to pose the ladies for the long exposure time. Note also, the skillful artwork necessary to show the reflective ice surface. 



Copies of Individual curling poses of Miss Allan and Mrs. Stephenson, 1876 William Notman (1826-1891) Silver salts on paper mounted on paper - Albumen process, for composite photograph © McCord Museum

Notman's World is a 29 minute film put out by the National Film Board of Canada which shows a wealth of information about the Notman Studio, the maple box created for royalty (mentioned in my previous post), life in early Canada, Kodak cameras, and more. If I've captured your interest in any way, you may want to grab a coffee and take a break to watch it. 

Have you played along with me in this post concerning real and composite photographs? How did you do? If you were living in the late 19th century, is there an image you would have wanted preserved as a composite?



I know it isn't Christmas, but in honour of my short story, Here We Come A-Wassailing, being shortlisted for the Word Guild's 2015 Word Awards, I'm holding a giveaway for the 2-book set my story is found in. 

To enter, leave a comment on this post before 11:59 EDT Sunday, May 10, 2015 with a way of contacting you. One person will receive a copy of A Cup of Christmas Cheer, Volume 3&4, published by Guideposts Books, Oct 2014.


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Anita Mae Draper is retired from the Canadian Armed Forces and lives on the prairie of southeast Saskatchewan, Canada with her hubby of 30 plus years and the youngest of their four kids. Anita is pleased to announce that her short story, Here We Come A-Wassailing, published in A Cup of Christmas Cheer, Volume 4, Heartwarming Tales of Christmas Present, Guideposts Books, October 2014, is a finalist for the Word Guild's 2015 Word Awards. Anita is represented by Mary Keeley of Books & Such Literary Management. You can find Anita Mae at  www.anitamaedraper.com